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The symbol derived from othala with wings or feet was the badge of the SS Race and Settlement Main Office, which was responsible for maintaining the racial purity of the Nazi Schutzstaffel (SS). [10] It was also the emblem of ethnic Germans ( Volksdeutsche ) of the 7th SS Volunteer Mountain Division Prinz Eugen operating during World War II in ...
Valknut variations. On the left unicursal trefoil forms; on the right tricursal linked triangle forms.. The valknut is a symbol consisting of three interlocked triangles.It appears on a variety of objects from the archaeological record of the ancient Germanic peoples.
The evolution of the rune in the Elder Futhark during the centuries. The Elder Futhark s rune is attested in main two variants, a "Σ shape" (four strokes), more prevalent in earlier (3rd to 5th century) inscriptions (e.g. Kylver stone), and an "S shape" (three strokes), more prevalent in later (5th to 7th century) inscriptions (e.g. Golden horns of Gallehus, Seeland-II-C).
The Elder Futhark rune ᛉ is conventionally called Algiz or Elhaz, from the Common Germanic word for "elk". [citation needed]There is wide agreement that this is most likely not the historical name of the rune, but in the absence of any positive evidence of what the historical name may have been, the conventional name is simply based on a reading of the rune name in the Anglo-Saxon rune poem ...
Jón Ólafsson's treatise presents the Younger Futhark in the Viking Age order, which means that the m-rune precedes the l-rune. This small detail was of paramount importance for the interpretation of Viking Age cipher runes because in the 13th century the two runes had changed places through the influence of the Latin alphabet where l precedes m.
Anglo-Saxon runes or Anglo-Frisian runes are runes that were used by the Anglo-Saxons and Medieval Frisians (collectively called Anglo-Frisians) as an alphabet in their native writing system, recording both Old English and Old Frisian (Old English: rūna, ᚱᚢᚾᚪ, "rune").
The distinction made by Unicode between character and glyph variant is somewhat problematic in the case of the runes; the reason is the high degree of variation of letter shapes in historical inscriptions, with many "characters" appearing in highly variant shapes, and many specific shapes taking the role of a number of different characters over the period of runic use (roughly the 3rd to 14th ...
Skaldic verse, a common medium of Norse poets, was meant to be cryptic and allusive, and the idiomatic nature of Sighvatr's poem as a description of what has become known as the blood eagle is a matter of historical contention, particularly since in Norse imagery the eagle was strongly associated with blood and death.
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