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Waistlines rose through the period for both men and women. Other notable fashions included full, slashed sleeves and tall or broad hats with brims. For men, hose disappeared in favour of breeches. The artist Rubens with his first wife c. 1610. Her long, rounded stomacher and jacket-like bodice are characteristic Dutch fashions.
Shoes for men are dress shoes, dress boots or pumps and for women heeled dress pumps. In western countries, a "formal" or white tie dress code typically means tailcoats for men and evening dresses for women. The most formal dress for women is a full-length ball or evening gown with evening gloves.
The dress is decorated with blue ribbons and a blue shawl draped around the breasts. She has pearls, and her hair is braided in a knot in the back, but is worn in loose curls over her ears. Young Dutch girl wears a rose jacket-bodice and a plain pink petticoat. Her hair is worn in a wound braid with small curls over her ears. 1658–60.
The women's sack-back gowns and the men's coats over long waistcoats are characteristic of this period. Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period.
Some wear sheer aprons. The lady on the right wears a mantua. The men's long, narrow coats are trimmed with gold braid. c.1730–1740. Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s.
Even the clothes women would ride horses in received these sorts of embellishments. [5] Croquet players of 1864 loop their skirts up from floor-length over hooped petticoats. Small hats with ribbon streamers were very popular for young women in the mid-1860s. Day dresses featured wide pagoda sleeves worn over undersleeves or engageantes.
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