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Overglaze decoration, overglaze enamelling, or on-glaze decoration, is a method of decorating pottery, most often porcelain, where the coloured decoration is applied on top of the already fired and glazed surface, and then fixed in a second firing at a relatively low temperature, often in a muffle kiln. It is often described as producing ...
Ceramic glaze, or simply glaze, is a glassy coating on ceramics. It is used for decoration, to ensure the item is impermeable to liquids and to minimise the adherence of pollutants. [1] Glazing renders earthenware impermeable to water, sealing the inherent porosity of earthenware. It also gives a tougher surface.
Black-glazed pottery was produced especially in the Classical and Hellenistic periods. During the reducing phase of the three-phase firing sintering of the iron-rich "clay paint" led to a shiny black glaze. Such pottery was produced both on the potter's wheel or impressed in pre-shaped matrixes. The glaze, originally in the form of a fine ...
Tin-glazing is the process of giving tin-glazed pottery items a ceramic glaze that is white, glossy and opaque, which is normally applied to red or buff earthenware. Tin-glaze is plain lead glaze with a small amount of tin oxide added. [1] The opacity and whiteness of tin glaze encourage its frequent decoration.
The glaze was made using clay similar to that used for forming the body, except fluxed with wood-ash. They share some similarities with Jizhou ware, which developed around the same time. Many examples have distinct finishes in the glaze, which are much prized by collectors. The main three types of glaze patterns are: "hare's fur" (兔毫盞)
Underglaze is a method of decorating pottery in which painted decoration is applied to the surface before it is covered with a transparent ceramic glaze and fired in a kiln. Because the glaze subsequently covers it, such decoration is completely durable, and it also allows the production of pottery with a surface that has a uniform sheen.
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The Marblehead Pottery was founded in Marblehead, Massachusetts in 1904 as a therapeutic program by a doctor, Herbert Hall, and taken over the following year by Arthur Eugene Baggs. The pottery's vessels are notable for simple forms and muted glazes in tones ranging from earth colors to yellow-greens and gray-blues. It closed in 1936. [7] [8]
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