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Tolkien's The Lord of the Rings (1954–1955) became extremely popular and was extensively imitated. His elves have formed the view of elves in modern fantasy like no other singular source. In the 1960s and afterwards, elves similar to those in Tolkien's novels became staple, non-human characters, in high fantasy works and in fantasy role ...
The framework for J. R. R. Tolkien's conception of his Elves, and many points of detail in his portrayal of them, is thought by Haukur Þorgeirsson to have come from the survey of folklore and early modern scholarship about elves (álfar) in Icelandic tradition in the introduction to Íslenzkar þjóðsögur og æfintýri ('Icelandic legends and fairy tales').
The fictional races and peoples that appear in J. R. R. Tolkien's fantasy world of Middle-earth include the seven listed in Appendix F of The Lord of the Rings: Elves, Men, Dwarves, Hobbits, Ents, Orcs and Trolls, as well as spirits such as the Valar and Maiar.
Tolkien tourists visiting the Hobbiton film set in New Zealand. Tolkien's books and Jackson's films have stimulated enormous Tolkien fandom activity in meetings such as Tolkienmoot, [6] in Tolkien Societies in many countries, and on the Internet, with discussion groups, fan art, and many thousands of Tolkien fan fiction stories. [7]
Internally, in the fiction, the Elvish language family is a group of languages related by descent from a common ancestor, called the proto-language. [10] Externally, in Tolkien's life, he constructed the family from around 1910, working on it up to his death in 1973.
The prose style of J. R. R. Tolkien's Middle-earth books, especially The Lord of the Rings, is remarkably varied.Commentators have noted that Tolkien selected linguistic registers to suit different peoples, such as simple and modern for Hobbits and more archaic for Dwarves, Elves, and the Rohirrim.
Quenya (pronounced [ˈkʷwɛɲja]) [T 1] is a constructed language, one of those devised by J. R. R. Tolkien for the Elves in his Middle-earth fiction. Tolkien began devising the language around 1910, and restructured its grammar several times until it reached its final state. The vocabulary remained relatively stable throughout the creation ...
Tolkien was not the first author to create fictional worlds, as George MacDonald and H. Rider Haggard had done so, and were praised for their "mythopoeic" gifts by Tolkien's friend and fellow-Inkling C. S. Lewis. [19] Tolkien however went much further, spending many years developing what has been called a mythology for England, starting in 1914.