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San Diego Jewish Men's Choir; San Diego Men's Chorus; San Diego Symphony; The Scottsville Squirrel Barkers; Sever Your Ties; The Shambles (band) The Silent Comedy; Skelpin; Sleeping People; Slightly Stoopid; The Soft Pack; Some Girls (California band) Something Like Silas; Soul-Junk; Souljahz; Sprung Monkey; Steam Powered Giraffe; Stick Figure ...
Outback were a world music group founded in the late 1980s by multi-instrumentalists Graham Wiggins and Martin Cradick. The group fused traditional Australian tribal music , represented primarily through Wiggins's didgeridoo , with modern Western music, mostly Cradick's steel-string guitar .
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The original Casbah location hosted San Diego bands such as Rocket from the Crypt, Lucy's Fur Coat, Trumans Water, Three Mile Pilot, Creedle, Heavy Vegetable, Fluf, Inch, Crash Worship and Deadbolt. It also hosted bands such as Nirvana [2] and the Smashing Pumpkins. English later left the venture.
Seigal's impact on the San Diego music scene was diverse. As a critic, he promoted those who he thought were worthy and viciously degraded musicians who he perceived as faking it or contrived. As a musician, he proliferated different styles of jazz and blues and periods in his bands often gave performers a crash course in tight songs and sets ...
Thelma Camacho Ivie is an American opera and rock and roll singer known for her membership in the groups the New Christy Minstrels and the First Edition.. As a teenager in San Diego, California, Camacho was Miss Teen San Diego and sang in Starlight Theater productions. [1]
The Rugburns group (not to be confused with the Los Angeles area Rugburns 1986–1989) formed and began playing in the local San Diego, CA area as a duo. In the beginning, Steve Poltz and Robert Driscoll were acoustic duo playing in various coffeehouses and bars including the Blarney Stone Pub, the Mission Beach Club, Innerchange Coffee House, Megalopolis, and Java Joe's.
Alec Palao and Jud Cost chronicled the San Francisco mid-sixties era music scene in 1991 in their magazine Cream Puff War #1. Writing about the weeks surrounding the Fantasy Fair, Cost noted that "the dichotomy in Bay Area music was never so evident, as the self-proclaimed "adult" scene separated itself from the "teen/pop" scenes."