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Always Outnumbered, Never Outgunned is the fourth studio album by English electronic music group the Prodigy.It was first released on 11 August 2004 in Japan, on 23 August 2004 in the United Kingdom by XL Recordings, and on 15 September 2004 in the United States by Maverick Records.
The Fat of the Land is the third studio album by English electronic music group the Prodigy, released on 30 June 1997 through XL Recordings. The album received critical acclaim and topped the UK Albums Chart and the US Billboard 200. It has sold over 10 million copies worldwide as of 2019. [6] [7] It is their best-selling album.
David Ronald Burnet (born 8 September 1950) is an Australian former rugby union international who represented Australia in six Test matches. He also played rugby league for the North Sydney Bears . Burnet was born in Sydney and educated at Knox Grammar School .
David Burnett, co-host of the Food Network Canada TV program Man-Made Food; David Burnett, roofing company owner and candidate for the U.S. House of Representatives in North Carolina in 2010; Sir David Burnett, 1st Baronet (1851–1930) of the Burnett baronets; Sir David Humphrey Burnett, 3rd Baronet (1918–2002) of the Burnett baronets
David Edwin Birney (April 23, 1939 – April 27, 2022) was an American actor and director whose career included performances in both contemporary and classical roles in theatre, film, and television. He is noted for having played the title role in the television series Serpico .
David Gouverneur Burnet (April 14, 1788 – December 5, 1870) was an early politician within the Republic of Texas, serving as the interim president of Texas in 1836, the second vice president of the Republic of Texas (1839–1841), and the secretary of state (1846) for the new state of Texas after it was annexed to the United States.
David Foster and Katharine McPhee’s 3-year-old son, Rennie, is “probably going to end up being a lawyer” despite being a prodigy on the drums. “He’s kind of going off the drums right now ...
Music for the Jilted Generation incorporates elements of rave, [3] breakbeat techno, [3] techno, [4] and hardcore techno. [5]The album is largely a response to the corruption of the rave scene in Britain by its mainstream success, as well as the United Kingdom's Criminal Justice and Public Order Act 1994, which criminalised raves and aspects of rave culture. [3]