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The Śatakatraya (Sanskrit: शतकत्रय, lit. 'The Three Satakas'), (also known as subhāṣita triśati, Sanskrit: सुभाषित त्रिशति:, lit. 'The Three Hundred Poems of Moral Values') refers to three Indian collections of Sanskrit poetry, containing a hundred verses each.
A shataka (Sanskrit: शतकम्, romanized: śatakam) is a genre of Sanskrit literature. [1] It comprises works that contain one hundred verses. [2] [3] It is also a popular genre of Telugu literature. [4]
The Three Bandhas (Mula ... widely used today in Vinyasa yoga classes. [3] ... Princeton University Press. pp. 257– 272. – with a translation from the Sanskrit;
The Vākyapadīya, also known as Trikāṇḍī (three books), is an Indian linguistic treatise on the philosophy of language, grammar, and semantics. It is divided into 3 main sections (or kāṇḍa): Brahma-kāṇḍa (Book of Brahman), Vākya-kāṇḍa (Book of Sentences), and Pada-kāṇḍa (Book of Words), and contains about 635 verses.
The Amaruśataka ranks as one of the finest lyrical poetry in the annals of Sanskrit literature, ranking with Kalidasa and Bhartṛhari 's Śṛngâraśataka. The ninth-century literary critic Anandavardhana declared in his Dhvanyaloka that "a single stanza of the poet Amaru ... may provide the taste of love equal to what's found in whole ...
Suka-Rambha Samvadamu (1893–1894) is translation into Telugu from the poets' own work of the same name in Sanskrit. Buddha Caritramu, 1899–1900; Vairagya Sataka of Appaya Dikshita, 1899–1900; Bala Ramayana of Rajasekhara, [2] 1901–1912; Mudra Rakshasa of Vishakhadatta, 1901–1912; Mrichchakatika of Shudraka, 1901–1912
The Dayashataka (Sanskrit: दयाशतकम्, romanized: Dayāśatakam) is a Sanskrit hymn composed by the Hindu philosopher Vedanta Desika. [1] Comprising one hundred verses [2] in ten decads, the hymn was written in praise of Venkateshvara, a form of Vishnu who is the principal deity of the Venkateshvara Temple, Tirupati. [3]
Shakatayana (Śākaṭāyana; 814–760 BCE) [1] was a Sanskrit grammarian, linguist, and Vedic scholar. [2] [3] He is known for his theory that all nouns are derived from a verbal root which contrasted to grammarian Pāṇini. He also posited that prepositions only have a meaning when attached to nouns or other words.