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Jewellery of a Berber woman in the Musée du quai Branly, Paris. Jewellery of the Berber cultures (Tamazight language: iqchochne imagine, ⵉⵇⵇⵛⵓⵛⵏ ⵉⵎⴰⵣⵉⵖⵏ) is a historical style of traditional jewellery that was worn by women mainly in rural areas of the Maghreb region in North Africa and inhabited by Indigenous Berber people (in the Berber language Tamazight ...
Labbe necklaces worn by Muslim women typically differed from those worn by Jewish women, insofar that they lacked a base. [12] Labbe necklaces typically worn by Muslim women in central Yemen had convex components or motifs that were round and belly-shaped, resembling leaves or barley-grains (aqrāṭ she'iriyāt in Arabic).
A gold, diamonds and sapphires red guilloché enamel "Boule de Genève", a type of pendant watch used as an accessory for women. An example of an object which is functional, artistic/decorative, marker of social status or a symbol of personal meaning. Humans have used jewellery for a number of different reasons:
It was originally founded in Germany by Friedrich Speidel in 1867 as a manufacturer of gold and silver chains. The Speidel Chain Company was formed in its modern state in the United States in 1904. It was known for its "Ratchet-buckle" watchbands (introduced in 1920), the "Scissors Action Expansion Band" (introduced in 1936), the ladies ...
Women typically wore simpler pieces, such as gold chains, or strung beads or pearls. [11] By the end of the period, larger, more heavily adorned pieces were common among the wealthy, particularly in Italy. [11] 1500–1600: Long pearl ropes and chains with precious stones were commonly worn. [4]
A cross necklace is any necklace featuring a Christian cross or crucifix as its pendant. [ 1 ] Crosses are often worn as an indication of commitment to the Christian faith , [ 2 ] [ 3 ] [ 4 ] and are sometimes received as gifts for rites such as baptism and confirmation .
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