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The following is a list of commonly used chord progressions in music. Code ... IV-V-I-VI chord progression in C major: 4: ... List of musical scales and modes ...
The same major scale also has three minor chords, the supertonic chord (ii), mediant chord (iii), and submediant chord (vi), respectively. These chords stand in the same relationship to one another (in the relative minor key ) as do the three major chords, so that they may be viewed as the first (i), fourth (iv) and fifth (v) degrees of the ...
Added tone chord; Altered chord; Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing ...
I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1 ...
In this progression, the minor triads ii–iii–vi appear in the relative minor key (Am)'s corresponding chord progression. The major chords are highlighted by the three-chord theory of chord progressions, which describes the three-chord song that is archetypal in popular music. When played sequentially (in any order), the chords from a three ...
The numbers do not change when transposing the composition into another key. They are relative to the new Tonic. The only required knowledge is the major scale for the given key. Unless otherwise noted, all numbers represent major chords, and each chord should be played for one measure. So in the key of C, the Nashville Number System notation:
Hungarian major scale on C. ... Heptatonic scale; Jazz scale; List of chord progressions; List of chords; List of musical intervals; List of pitch intervals; Arabian ...
The seventh chords built on each scale degree follow a distinct pattern. The roman numeral analysis is shown in parentheses. 1st: Major seventh chord (IM 7) 2nd: minor seventh chord (ii 7) 3rd: minor seventh chord (iii 7) 4th: Major seventh chord (IVM 7) 5th: Dominant seventh chord (V 7) 6th: minor seventh chord (vi 7) 7th: half-diminished ...
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