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The dado in a pedestal is roughly cubical in shape, and the word in Italian means "dice" or "cube" (ultimately Latin datum, meaning "something given", hence also a die for casting lots). [ 2 ] [ 4 ] By extension, the dado becomes the lower part of a wall when the pedestal is treated as being continuous along the wall, with the cornice becoming ...
Italian scagliola top, second half of the 18th century. Scagliola (from the Italian scaglia, meaning "chips") is a type of fine plaster used in architecture and sculpture.The same term identifies the technique for producing columns, sculptures, and other architectural elements that resemble inlays in marble. [1]
Two decorative Corinthian pilasters in the Church of Saint-Sulpice (Paris). In architecture, a pilaster is both a load-bearing section of thickened wall or column integrated into a wall, and a purely decorative element in classical architecture which gives the appearance of a supporting column and articulates an extent of wall.
Picture rail: Functional moulding installed 2.1–2.7 metres (7–9 ft) above the floor from which framed art is hung, common in commercial buildings and homes with plaster walls. Rosette: Circular, floral decorative element found in Mesopotamian design and early Greek stele, common in revival styles of architecture since the Renaissance. [4]
Grand Neoclassical interior by Robert Adam, Syon House, London Details for Derby House in Grosvenor Square, an example of the Adam brothers' decorative designs. The Adam style (also called Adamesque or the Style of the Brothers Adam) is an 18th-century neoclassical style of interior design and architecture, as practised by Scottish architect William Adam and his sons, of whom Robert (1728 ...
Engaged columns embedded in a side wall of the cella of the Maison Carrée, Nîmes, France, unknown architect, 2nd century. An engaged column is an architectural element in which a column is embedded in a wall and partly projecting from the surface of the wall, which may or may not carry a partial structural load.
Traditional decorative frontispieces are rarely used in the designing of post-modern buildings. Frontispieces from different eras can be distinguished by the different variations of pediments used (triangular, segmented, open or broken pediments), [6] as well as the ornamentation of the columns corresponding to a particular architectural era.
In the 14th century, decorative plasterwork called pargeting was being used in South-East England to decorate the exterior of timber-framed buildings. This is a form of incised, moulded or modelled ornament, executed in lime putty or mixtures of lime and gypsum plaster.
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