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The first known mention of litotes is in a letter from Cicero in 55 BC . Cicero uses the word to mean simplicity (or frugality) of life. The meaning and the function of the word changed from 'simple' to the idea of understatement that involves double negatives, a way to state things simply. Old Norse had several types of litotes. These points ...
The French actress Sarah Bernhardt was considered insufficiently understated in English terms. Photograph by Félix Nadar, c. 1864. This attitude of understatement was exemplified by a comment upon Sarah Bernhardt's violent depiction of Cleopatra in the 1891 play of that title: "How different, how very different, from the home life of our own dear Queen!"
Understatement – a form of irony, sometimes in the form of litotes, in which something is represented as less than it really is, with the intent of drawing attention to and emphasizing the opposite meaning. Universal audience – an audience consisting of all humankind. Utterance – statement that could contain meaning about one's own person.
While it is true that polite English uses in a master way this rhetoric figure, often with ironic meaning, the article forgets that litotes is a greek word (λιτότης), and that in fact the definition and classification of the rhetoric figures is due to the Greek culture. The sentence
Innuendo: having a hidden meaning in a sentence that makes sense whether it is detected or not. Irony: use of word in a way that conveys a meaning opposite to its usual meaning. [18] Kenning: using a compound word neologism to form a metonym. Litotes: emphasizing the magnitude of a statement by denying its opposite.
Louis, Charlotte, and George’s attendance at the carol service marks their first public appearance in six months. They were last seen at Trooping the Colour this past June.
Antiphrasis is the rhetorical device of saying the opposite of what is actually meant in such a way that it is obvious what the true intention is. [1]Some authors treat and use antiphrasis just as irony, euphemism or litotes.
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.