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"Woodstock" is a song written by Canadian-American singer-songwriter Joni Mitchell. At least four versions of the song were released in 1970. Mitchell's own version was first performed live in 1969 and appeared in April 1970 on her album Ladies of the Canyon and as the B-side to her single "Big Yellow Taxi".
Of all of Mitchell's work, this album is the most related to her long-standing friendships and relationships with Crosby, Stills, Nash, & Young (whose rock arrangement of "Woodstock" was one of their four radio hits in 1970). Mitchell was living with Graham Nash at the time much of the album was written. [13]
"Woodstock", the band's cover of the Joni Mitchell song, had been a UK Number 1 single in October 1970 backed by "Scion"; "The Struggle" was the B-side of the single "Colorado Springs Eternal" taken from the first album, Matthews' Southern Comfort. "Parting" was the B-side of the "Ballad Of Obray Ramsay" single.
Mitchell wrote another hit “Woodstock,” inspired by the famous music festival held in the summer of 1969 in New York state. However, she didn’t actually attend the event. However, she didn ...
Roberta Joan "Joni" Mitchell CC (née Anderson; born November 7, 1943) is a Canadian-American singer-songwriter, multi-instrumentalist, and painter.As one of the most influential singer-songwriters to emerge from the 1960s folk music circuit, Mitchell became known for her personal lyrics and unconventional compositions which grew to incorporate elements of pop, jazz, and other genres. [1]
The final version had Stills singing a slightly rearranged version of Mitchell's lyrics. "Woodstock" was one of the few Déjà Vu tracks where Crosby, Stills, Nash, and Young all performed their parts in the same session. Later the original lead vocal by Stills was partly replaced with a later vocal also recorded by Stills, who recalled: "I ...
"The Circle Game" is a song by Canadian singer-songwriter Joni Mitchell composed in 1966. One of her most-covered songs, it was originally recorded by Ian & Sylvia and Buffy Sainte-Marie in 1967, and by Tom Rush for his 1968 album of the same name.
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