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The two main four-string Selmer models were a regular tenor guitar with a smaller body and a 23 inch scale length for standard CGDA tuning, and the Eddie Freeman Special, with a larger body and a longer 25.5-inch scale length, using a reentrant tuning for the A string which was designed by English tenor banjoist Eddie Freeman to have a better ...
In the early 1930s, Freeman designed the "Eddie Freeman Special 4-String Guitar" for Selmer Music Company, to implement the guitar method he had developed in Baltimore. One of the Selmer- Maccaferri guitars , the Eddie Freeman Special had the scale-length and body-size of a standard guitar, and used a reentrant CGDA tuning, that had a better ...
Bass, electric bass, 6-string bass, contrabass guitar Essentially a 4-string bass with either added high and low strings. Guitar, bass (8-string) 8 strings 4 courses. E 2 E 1 •A 2 A 1 •D 3 D 2 •G 3 G 2: Eight-string bass guitar, 8-string bass US Essentially a 4-string bass with each string doubled at the upper octave. Guitar, bass (12 ...
The two lowest strings are, accordingly, tuned three semitones higher for the lowest string (from E up to G) and two semitones higher for the second-lowest string (from A up to B) while the highest string is tuned two semitones lower (from E down to D), relative to standard tuning. Five-string banjo's standard tuning is also an Open G: g–D ...
Standard tuning is the tuning most frequently used on a six-string guitar and musicians assume this tuning by default if a specific alternate (or scordatura) is not mentioned. In scientific pitch notation, [4] the guitar's standard tuning consists of the following notes: E 2 –A 2 –D 3 –G 3 –B 3 –E 4.
The Puerto Rican cuatro has ten strings in five courses, tuned in fourths from low to high, with B and E in octaves and A, D, and G in unisons: B 3 B 2 — E 4 E 3 — A 3 A 3 — D 4 D 4 — G 4 G 4. The cuatro is composed of several parts that work together to formulate the distinguishable sound of the instrument:
There are several tunings possible on the cuatro, but they are mostly transpositions of the main tuning (below), which may depend on the accompanied singer's range or the tone of the harp the cuatro is playing with. The strings are tuned from top to bottom (using the numbers 1, 2, 3, and 4), to these intervals: strings 1 and 2 – perfect fourth
The predecessor of today's six-string classical guitar was the five-string baroque guitar tuned as the five high strings of a six-string guitar with the A raised one octave. High C – E-A-d-g-c' Standard tuning with the B tuned a half step higher to C to emulate a six-string bass guitar, minus the low B.
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