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In music, especially Western popular music, a bridge is a contrasting section that prepares for the return of the original material section. In a piece in which the original material or melody is referred to as the "A" section, the bridge may be the third eight-bar phrase in a 32-bar form (the B in AABA), or may be used more loosely in verse-chorus form, or, in a compound AABA form, used as a ...
Backwash squeeze is a rare squeeze which involves squeezing an opponent which lies behind declarer's menace. A variation of this, known as the "Sydney Squeeze" or "Seres Squeeze", was discovered in play at a rubber bridge game in Sydney, Australia, in 1965, by the Australian great Tim Seres; it was later attested by famous bridge theorist Géza Ottlik in an article in The Bridge World in 1974 ...
The Vienna coup is an unblocking technique in contract bridge made in preparation for a squeeze play. [1] It is so named because it was originally published by James Clay (1804-1873) after observing it being executed in the days of whist by "the greatest player in Vienna" — identity unknown.
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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Pinched, plucked (i.e. in music for bowed strings, plucked with the fingers as opposed to played with the bow; compare arco, which is inserted to cancel a pizzicato instruction; in music for guitar, to mute the strings by resting the palm on the bridge, simulating the sound of pizz. of the bowed string instruments) plop
Love is well known in bridge circles for his 1959 book Bridge Squeezes Complete, one of the earliest efforts to codify then-existing squeeze play. Love established rules for recognizing bridge squeezes, and for executing them when they occurred. His system of classifying squeezes has been used by most bridge writers since. [3]
Montgomery-Ward bridge in C Play ⓘ Montgomery-Ward bridge with ii–Vs in C Play ⓘ In jazz music, the Montgomery-Ward bridge (also Riepel's Monte) is a standard chord progression often used as the bridge, or 'B section', of a jazz standard. The progression consists, in its most basic form, of the chords I 7 –IV 7 –ii 7 –V 7.