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Filipino Struggles Through History, alternatively known as the History of Manila is a series paintings which depicts select events from Philippine history. [6] It composes of 10 canvas panels collectively measuring 2.7 meters (8.9 ft) high and 79.4 meters (260 ft) wide.
During the 1960s, García-López worked for Charlton Comics. [5] In 1974, he moved to New York, [3] where he met DC Comics editor Joe Orlando.His first interior art credit for DC was June 1975's "Nightmare In Gold" back-up in Action Comics #448, where he inked the pencils of artist Dick Dillin. [5]
Cover art by José Luis García-López is a homage to Justice League of America #53 (May 1967). DC Comics Presents: Superman #1 Cover art by Adam Hughes is a homage to the cover of Superman #264 (June 1973). DC Comics Presents: The Atom #1 Cover art by Brian Bolland is a homage to the cover of The Atom #10 (December 1963 – January 1964).
Also known as the Filipino struggles through history, this monumental painting depicting the History of Manila is painted by NA Carlos V. Francisco. Kasaysayan ng Maynila ICP Marker: 1996 [13] Basi Revolt Paintings by Esteban Pichay Villanueva National Museum- Vigan, Ilocos Sur: 1807
Most of the other designs (and much of the packaging artwork) were based on José Luis García-López' classic DC Style Guides (other artwork used appears to be the work of Dick Giordano, who was known to ink Garcia-Lopez' art for the publications, and Mike DeCarlo). Alex Saviuk provided box art for the line save Shazam. [3]
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Individual artists as well as art groups expressed their opposition to the Marcos regime through various forms of visual art, such as paintings, murals, posters, editorial cartoons, and comics. [1] Many forms of protest art carried themes of social realism , which art historian Alice Guillermo defines as art that aims to expose the true ...
Collecting files of comics related art by José Luis García-López Media in category "Comics art by José Luis García-López" This category contains only the following file.