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Belo Horizonte [5] is the sixth-largest city in Brazil, with a population of around 2.3 million, and the third largest metropolitan area, containing a population of 6 million. [6] It is the 13th-largest city in South America and the 18th-largest in the Americas.
The Pampulha Modern Ensemble (Portuguese: Conjunto Moderno da Pampulha) is an urban project in Belo Horizonte, Minas Gerais state of Brazil.It was designed around an artificial lake, Lake Pampulha, in the district of Pampulha and includes a casino, a ballroom, the Golf Yacht Club (currently Iate Tênis Clube) and the Church of Saint Francis of Assisi.
The Casa do Baile (English: "Ball House") is an architectural landmark in Belo Horizonte, Brazil, designed by Brazilian architect Oscar Niemeyer.It is part of the Pampulha Modern Ensemble, a complex of buildings constructed around Lake Pampulha in the 1940s that represents some of Niemeyer's earliest works in his distinctive modernist style utilizing curved forms.
Cidade Nova ("New City") is a neighborhood of the northeast region of Belo Horizonte. It was established in the 1960s, and was quickly developed by the Banco Nacional da Habitação [ pt ] (National Housing Bank, BNH).
Greater Belo Horizonte, Brazil, is the name usually used to describe the Belo Horizonte metropolitan region, which is composed of 34 municipalities. As of 2013, [ 1 ] it is the third largest metropolitan area of Brazil with more than Six million inhabitants; the largest city by population is Belo Horizonte .
As soon as it was inaugurated, the city's first casino began to attract players from all over Brazil, transforming the nightlife of Belo Horizonte.As the person in charge of the house was Joaquim Rolla, the same administrator of the casino in Urca, in Rio de Janeiro, and of the casino in the Quitandinha Palace, in Petrópolis, the casino brought some of the greatest international music show ...
Belo Horizonte, Minas Gerais: ... The obelisk stands in front of the hotel, a pyramid-shaped hotel along The Strip: Endicott, Triple Cities, New York: United States:
The distinctive silhouette became an icon representing Praça da Liberdade and Belo Horizonte as a whole. [6] Historically, the building marked the introduction of modern architecture to the 19th century European-inspired plan of Belo Horizonte. [2] It embodied Niemeyer's vision of integrating modernism with the local landscape. [6]