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The individual rhythmical patterns used in Greek and Latin poetry are also known as "metres" (US "meters"). Greek poetry developed first, starting as early as the 8th century BC with the epic poems of Homer and didactic poems of Hesiod, which were composed in the dactylic hexameter. A variety of other metres were used for lyric poetry and for ...
Yuan poetry metres continued this practice with their qu forms, similarly fixed-rhythm forms based on now obscure or perhaps completely lost original examples (or, ur-types). Not that Classical Chinese poetry ever lost the use of the shi forms, with their metrical patterns found in the "old style poetry" ( gushi ) and the regulated verse forms ...
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick:
Poetry is usually short, and the rhythm and rhyme embedded in poetry for children make poems easy to learn to read. Even children who struggle in learning to read can achieve success in learning ...
Cadence: the patterning of rhythm in poetry, or natural speech, without a distinct meter; Catalexis: shortening of a line by one element (adjective: catalectic) Acatalexis: the opposite of catalexis; Acephalous line: a line lacking the first element; Line: a unit into which a poem is divided
The term describes the rhythm, or meter, established by the words in each line. Rhythm is measured in small groups of syllables called "feet". "Iambic" indicates that the type of foot used is the iamb, which in English is an unstressed syllable followed by a stressed syllable (as in a-BOVE). "Pentameter" indicates that each line has five "feet".
The foot is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry, including English accentual-syllabic verse and the quantitative meter of classical ancient Greek and Latin poetry. The unit is composed of syllables, and is usually two, three, or four syllables in length.
For example, the meters in circle 1 all make use of feet of 3 syllables alternating with feet of 4 syllables. Both meters in circle 2 make use of biceps elements, in which a pair of short syllables can be replaced by a long one ( uu ); meters of circle 4 all have one place in the hemistich (half-line) where the watid is a trochee (– u ...