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Works are listed in chronological order. Works with an asterisk (*) indicate that text is used throughout the entire composition. Fantasy in C minor for Piano, Soloists and Orchestra, Op. 80, by Ludwig van Beethoven (1808) (not a symphony, but one of only two major concerted works to involve a chorus - see also Busoni (below))
Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! ich bin dein müde, Riemenscheider No. 150, Terry No. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27.
Mozart's sacred choral music consists of masses, litanies, vespers, psalms, church music, oratorios, cantatas, a Requiem and other shorter and fragmentary works. Beginning in 1768 and ending in 1791, his sacred works are considered some of the most important and influential ever written.
Free scores by William Byrd at the International Music Score Library Project (IMSLP) Free scores by William Byrd in the Choral Public Domain Library (ChoralWiki) A complete list of works by William Byrd from Stainer & Bell
Sacred music and choral music. Poulenc turned to writing also religious music in the 1930s, composing a Mass in G major for a cappella choir. He composed the Stabat Mater in 1950 in memory of the painter Christian Bérard in 1950. The late Gloria for soprano, choir and orchestra became one of his best-known works.
In German, the word Choral may as well refer to Protestant congregational singing as to other forms of vocal (church) music, including Gregorian chant. [1] The English word which derived from this German term, that is chorale, however almost exclusively refers to the musical forms that originated in the German Reformation.
Hector Berlioz was the first to use the term "choral symphony" for a musical composition—his Roméo et Juliette.. A choral symphony is a musical composition for orchestra, choir, and sometimes solo vocalists that, in its internal workings and overall musical architecture, adheres broadly to symphonic musical form. [1]
Choral Ballet; for chorus and orchestra; founded on the tale of the Brothers Grimm, adapted by Jane M. Joseph: Ballet: 164: 45/2: 1926–27: The Morning of the Year: Choral Ballet; for chorus and orchestra; words by Steuart Wilson: Incidental music: 1905: Stratford Revels: Incidental music: 94: 1905: Nabou, or Kings in Babylon: Incidental music ...
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