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Poem 68 is a complex elegy written by Catullus, who lived in the 1st century BCE during the time of the Roman Republic.This poem addresses common themes of Catullus' poetry such as friendship, poetic activity, love and betrayal, and grief for his brother.
"Friends, Romans": Orson Welles' Broadway production of Caesar (1937), a modern-dress production that evoked comparison to contemporary Fascist Italy and Nazi Germany "Friends, Romans, countrymen, lend me your ears" is the first line of a speech by Mark Antony in the play Julius Caesar, by William Shakespeare. Occurring in Act III, scene II, it ...
invectives: some of these often rude and sometimes downright obscene poems are targeted at friends-turned-traitors (e.g., Poem 16) and other lovers of Lesbia, but many well-known poets, politicians (e.g. Julius Caesar) and orators, including Cicero, are thrashed as well. However, many of these poems are humorous and craftily veil the sting of ...
A reading of "The Road Not Taken" Cover of Mountain Interval, along with the page containing "The Road Not Taken" "The Road Not Taken" is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval.
The poem most notably introduced the love affair between Tatius and Tarpeia. This was used because of Varro's addition of Tarpeia being a Vestal Virgin. Since Tarpeia was a Vestal Virgin, love (and therefore sexual desire) could be used as foreshadowing Tarpeia's greed and betrayal to the city of Rome. [9]
Sonnet 151 is the 151st of 154 poems in sonnet form by William Shakespeare published in a 1609 collection titled Shakespeare's sonnets.The sonnet belongs to the Dark Lady sequence (sonnets 127–152), which distinguishes itself from The Fair Youth sequence by being more overtly sexual in its passion.
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The seductive attraction to the delight in sense experience is, from the point of view of the spirit which seeks its freedom in the infinitude, experienced as betrayal. Blake therefore took the name Tirzah to be a symbolic reference to worldly materialism, as opposed to the spiritual realm of Jerusalem. [1]