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2. List of chords - Wikipedia

   en.wikipedia.org/wiki/List_of_chords

   Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...

3. Chord chart - Wikipedia

   en.wikipedia.org/wiki/Chord_chart

   A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.

4. List of chord progressions - Wikipedia

   en.wikipedia.org/wiki/List_of_chord_progressions

   Pages for logged out editors learn more. Contributions; Talk; Contents move to sidebar hide (Top) 1 Further reading. 2 See also. ... I–V–vi–IV chord progression ...

5. Chord notation - Wikipedia

   en.wikipedia.org/wiki/Chord_notation

   In this case, the chord is viewed as a C major seventh chord (CM 7) in which the third note is an augmented fifth from root (G ♯), rather than a perfect fifth from root (G). All chord names and symbols including altered fifths, i.e., augmented (♯ 5, +5, aug5) or diminished (♭ 5, o 5, dim5) fifths can be interpreted in a similar way.

6. Chord progression - Wikipedia

   en.wikipedia.org/wiki/Chord_progression

   Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of popular music styles (e.g., pop music, rock music), traditional music, as well as genres such as blues and jazz. In these genres, chord progressions are the ...

7. I–V–vi–IV progression - Wikipedia

   en.wikipedia.org/wiki/I–V–vi–IV_progression

   The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.