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The central figure, Friedrich's wife Caroline, has an informal stance, creating the impression that Friedrich observed and captured the scene at a precise moment in time. [2] The woman's posture reflects an intimate moment in Friedrich's domestic sphere. As she observes the view from the artist's studio she appears relaxed and reserved. [2]
Portrait of Caspar David Friedrich, Gerhard von Kügelgen c. 1810–1820. Caspar David Friedrich (German: [ˌkaspaʁ ˌdaːvɪt ˈfʁiːdʁɪç] ⓘ; 5 September 1774 – 7 May 1840) was a German Romantic landscape painter, generally considered the most important German artist of his generation, whose often symbolic, and anti-classical work, conveys a subjective, emotional response to the ...
Woman with a Raven at an Abyss (or Woman with a Raven on a Precipice; German: Die Frau mit dem Raben am Abgrund) is a c. 1803/04 [1] [2] print by the German Romantic painter Caspar David Friedrich, made into a woodcut by his brother Christian Friedrich, a carpenter and furniture maker, around the same time.
Friedrich's work shares with Géricault's a similar compositional framework [2] and bleak metaphorical outlook in relation to the unforgiving sea. The tragedy represented in The Medusa is a human responsibility irrespective of the surroundings, while The Sea of Ice presents a more pessimistic message, with the tragedy a result of mankind's ...
Completed just five years before his death, this picture, like many of his works, forms a meditation both on his own mortality and on the transience of life. The painting is set on a sea shore and shows in the foreground an aged man with his back turned to the viewer, walking towards two adults and two children on a hilltop overlooking a ...
For instance, most papers in Nature (impact factor 38.1, 2016) were only cited 10 or 20 times during the reference year (see figure). Journals with a lower impact (e.g. PLOS ONE, impact factor 3.1) publish many papers that are cited 0 to 5 times but few highly cited articles. [21]
The motif seems to have came from the "melancholy" felt over the death of a young girl who was revered in the Düsseldorf artistic circles. [ 2 ] The theme of death had already preoccupied Lessing in his paintings Churchyard with Gravestones and Ruins in the Snow (1826) and Monastery Courtyard in the Snow (1828-1830).
The impact factor relates to a specific time period; it is possible to calculate it for any desired period. For example, the JCR also includes a five-year impact factor, which is calculated by dividing the number of citations to the journal in a given year by the number of articles published in that journal in the previous five years. [14] [15]