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This is a non-diffusing parent category of Category:20th-century Scottish women painters The contents of that subcategory can also be found within this category, or in diffusing subcategories of it. Contents
Thomas Corsan Morton (1859–1928), artist known as one of the Glasgow Boys; James MacLauchlan Nairn (1859–1904), Glasgow-born painter who influenced late 19th-century New Zealand painting; Charlotte Nasmyth (1804–1884), landscape painter, daughter of Alexander Nasmyth; Jessie Newbery (1864–1948), Glasgow School artist and embroiderer
The Coffee Pot, by Samuel Peploe (1905). The first significant group of Scottish artists to emerge in the twentieth century were the Scottish Colourists in the 1920s. The name was retrospectively given to John Duncan Fergusson (1874–1961), Francis Cadell (1883–1937), Samuel Peploe (1871–1935) and Leslie Hunter (1877–1931). [2]
This is a non-diffusing parent category of Category:20th-century Scottish male artists and Category:20th-century Scottish women artists The contents of these subcategories can also be found within this category, or in diffusing subcategories of it.
This is a non-diffusing subcategory of Category:20th-century Scottish artists. It includes Scottish artists that can also be found in the parent category, or in diffusing subcategories of the parent. See also: Category:20th-century Scottish women artists
The Scottish Colourists combined their training in France and the work of French Impressionists and Fauvists, such as Monet, Matisse and Cézanne, with the painting traditions of Scotland. [8] A forerunner of this movement was William McTaggart (1835–1910), a Scottish landscape painter who was influenced by Post-Impressionism .
For the late nineteenth century developments in Scottish art are associated with the Glasgow School, a term that is used for a number of loose groups based around the city. The first and largest group, active from about 1880, were the Glasgow Boys , including James Guthrie (1859–1930), Joseph Crawhall (1861–1913), George Henry (1858–1943 ...
He continued to teach there for most of the rest of his life, latterly in highly popular non-vocational painting classes on Saturday mornings. [3] Patrick produced portraits and still life works but is known mainly for his paintings of cultivated landscapes in the Scottish countryside. They are often very wide in scope yet meticulously detailed.