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The sayings of Jesus on the cross (sometimes called the Seven Last Words from the Cross) are seven expressions biblically attributed to Jesus during his crucifixion. Traditionally, the brief sayings have been called "words". The seven sayings are gathered from the four canonical gospels. [1] [2] In Matthew and Mark, Jesus cries out to God.
The intended place for Christ Washing the Disciples' Feet was on the right side where now is Carlo Ridolfi's copy. The painting was created in 1548/1549 for a church in Venice. [1] The church of San Marcuola commissioned Christ Washing the Disciples' Feet as a companion piece to Tintoretto's Last Supper, which still
Daan Manneke: The Seven Last Words Oratorio for chamber choir (2011) Paul Carr: Seven Last Words from the Cross for soloist, choir and orchestra (2013) [9] Juan Jurado: Seven Words (2013) for mixed choir and four cellos. Rotting Christ: Ze Nigmar (2016) Richard Burchard: The Seven Last Words of Christ for choir, strings, and organ (2016) [10]
The Last Supper by Tintoretto still "in situ" in the church of San Marcuola in Venice. The work was commissioned in 1547 from Tintoretto for the Scuola del Santísimo Sacramento in the church of San Marcuola in Venice, together with a Last Supper, which is still in the church, painted between 1548 and 1549.
Each 56.5 cm × 19.7 cm (22.25 in × 7.75 in); Metropolitan Museum of Art, New York The Crucifixion and Last Judgement diptych (or Diptych with Calvary and Last Judgement ) [ 1 ] consists of two small painted panels attributed to the Early Netherlandish artist Jan van Eyck , with areas finished by unidentified followers or members of his workshop.
The seven meditations on the Last Words are excerpted from all four gospels. The "Earthquake" movement derives from Matthew 27:51ff. Much of the work is consolatory, but the "Earthquake" brings a contrasting element of supernatural intervention—the orchestra is asked to play presto e con tutta la forza—and closes with the only fortississimo (triple forte) in the piece.
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Lamentation by Giotto, 1305. The Lamentation of Christ [1] is a very common subject in Christian art from the High Middle Ages to the Baroque. [2] After Jesus was crucified, his body was removed from the cross and his friends mourned over his body.