Search results
Results from the WOW.Com Content Network
In the 19th century, the ladies-in-waiting of the Dutch court were headed by the Grootmeesteres (Grand Mistress, equivalent to Mistress of the Robes), of second rank were the Dames du Palais (married ladies-in-waiting), followed by the third rank Hofdames (Court Ladies, equivalent to Maids of Honour). [42] [page needed] [43] [full citation needed]
In the late 19th century, there was discussion over whether or not women should wear open drawers. Dr. E. R. Palmer wrote against their use: [4] I saw in a paper the other day that ladies in a Canadian city had a grand convention, and had celebrated their magnificent resolve by building in a public square a bonfire, being fed by the corsets they had been wearing.
The "Ladies of Llangollen", Eleanor Butler (1739–1829) and Sarah Ponsonby (1755–1831), were two upper-class Irish women who lived together as a couple. Their relationship scandalised and fascinated their contemporaries. [ 1 ]
Maids of honour of the empress, crimson. Maids of honour of the Grand Duchesses, light blue. Chambermaids of honour, raspberry. The style of the dress the ladies wore also had to correspond to a single pattern, they could be "of different colours, with different sewing, but it was impossible to repeat the pattern assigned to the ladies of the ...
The term was in use in the United Kingdom from at least the 18th century to the mid-20th century but it is now archaic. The profession is known in most of the Western world. The role was related to the position of lady-in-waiting, which by the 19th century was applied only to the female retainers of female members
Illustration depicting a Parisian lady's maid in the 1630s. The illustration is made in the turn of the 18th-19th century, by Georges-Jacques Gatine (1773–1848) Mistress and Maid by Johannes Vermeer. A lady's maid is a female personal attendant who waits on her female employer. The role of a lady's maid is similar to that of a gentleman's ...
Since the idea was first advanced by Barbara Welter in 1966, many historians have argued that the subject is far more complex and nuanced than terms such as "Cult of Domesticity" or "True Womanhood" suggest, and that the roles played by and expected of women within the middle-class, 19th-century context were quite varied and often contradictory.
Edward Hasted, the local historian of Kent, [1] has dismissed the story of the Biddenden Maids as a folk myth, claiming that the image on the cake had originally represented two poor women and that the story of the conjoined twins was "a vulgar tradition" arising from a misinterpretation of the image, while influential historian Robert Chambers ...