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Throughout the decade, Mesa continued to produce combo and head amplifiers, and began production of rack power and pre-amps, developing power amplifiers such as the M180/190 and Strategy series, as well as pre-amps such as the Quad and Studio. Other models developed in the 1980s included the Mark III, Mark IV, the Son of Boogie, and the Studio .22.
Fender Princetons (as well as their sister amp the Princeton Reverb) from the early models into the 1970s models are highly valued particularly as recording amplifiers. The first Princeton, the "Woody" (so called for its uncovered wooden cabinet), was the smallest of the original Fender line of three amplifiers, an incredibly basic 3-watt ...
Naim power amplifiers are given numbers according to their power output into nominal load of 4 ohms. The company's first amplifier, the NAP 160, is a two-channel power amplifier with an output of 60 watts per channel; the NAP 135, which is a one-channel amplifier based on the same design as the NAP 250 rated at 135 watts. A custom-built very ...
Mesa-Boogie "Mark IV", a guitar combo amplifier The Mesa/Boogie Mark Series is a series of guitar amplifier made by Mesa Engineering (more commonly known as "Mesa/Boogie"). "). Originally just referred to as "Boogies", the product line took on the moniker "Mark Series" as newer revisions were put into produ
This Paul Rivera-specified Fender guitar amplifier was introduced in 1982 to replace the Princeton Reverb. [1] It was a completely different and significantly more powerful amplifier. [ 2 ] Designed by Ed Jahns, it featured a built-in reverb, treble boost and mid boost controls, and a switchable lead (overdrive) effect.
For most audio applications more power is needed at low frequencies. This requires a high-power amplifier for low frequencies (e.g., 200 watts for 20–200 Hz band), lower power amplifier for the midrange (e.g., 50 watts for 200 to 1000 Hz), and even less the high end (e.g. 5 watts for 1000–20000 Hz).
The U.S. auto safety regulator has opened two new probes into potential defects related to Ford vehicles. In separate releases issued Friday, the National Highway Traffic Safety Administration ...
The Ampeg SVT is a bass guitar amplifier designed by Bill Hughes and Roger Cox for Ampeg and introduced in 1969. The SVT is a stand-alone amplifier or "head" as opposed to a "combo" unit comprising amp and speaker(s) in one cabinet, and was capable of 300 watts output at a time when most amplifiers could not exceed 100 watts output, making the SVT an important amp for bands playing music ...
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