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Wendy Patricia James (born 21 January 1966) [1] [better source needed] is an English singer-songwriter most notable for her work with the pop band Transvision Vamp. [ 2 ] Transvision Vamp
James has lived between France and New York since the early Noughties. Britain in the Nineties, in the wake of Transvision Vamp disbanding in 1992, was a bit of a creative wasteland for her.
Transvision Vamp were an English pop rock band. Formed in 1986 by Nick Christian Sayer (born 1 August 1964) and Wendy James , the band enjoyed chart success in the late 1980s, particularly in 1989. James, the lead singer and focal-point of the group, attracted media attention with her sexually charged and rebellious image.
The album was conceived after Wendy James had a chance meeting with Pete Thomas, drummer for Elvis Costello's backing band the Attractions, during her final tour with her band Transvision Vamp. [1] After asking Thomas if Costello might be able to help her with guidance or advice for a possible solo career, Thomas suggested she contact Costello.
Little Magnets Versus the Bubble of Babble produced a few singles, but before a UK release could be re-considered, Transvision Vamp broke up. This was the only Transvision Vamp album to feature co-writing credits for Wendy James.
"Baby I Don't Care" is a song by English pop rock band Transvision Vamp and the first single taken from their second album, Velveteen (1989). It was released in 1989 and remains their highest-charting single, peaking at number three in both the United Kingdom and Australia. It was ranked at number 25 on the Australian end-of-year chart for 1989.
Wendy Williams is opening up about Sean "Diddy" Combs after she says she "called" his alleged bad behavior.. The legendary talk show host, who has been largely out of the spotlight amid ongoing ...
Heather Phares of AllMusic wrote that the album "puts most of its focus on tracks from Velveteen" and the inclusion of songs from Little Magnets Versus the Bubble of Babble "reveal that Transvision Vamp's experiments with dance and hip-hop beats didn't sound at all disastrous, even though that was the effect that they had on the band" and the selected remixes actually "pushes the band's sound ...