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The preceding Introitus and closing Conclusio are the first and last stanzas of the hymn "Da Jesus an dem Kreuze stund", written by Johann Böschenstein (1472–1539). The hymn already contains a reflection on the Seven Words. [7] In the following text and translation, the intervening text of the Evangelists, also set to be sung, is not shown. [8]
Ave crux, spes unica is a Latin pious expression or motto meaning "Hail to the Cross, our only hope." The expression has a long history in Catholic and Anglican piety and is a motto occasionally used by bishops and church institutions. It is the motto of the Congregation of Holy Cross, [1] Edith Stein, and of Cardinal Daniel DiNardo.
(Hymn for World Missions) 2003 Stuart Townend: New Irish Hymns 4 In Christ Alone Lyrics, Story: All My Life: 2002 Kristyn Getty: Tapestry — Beneath the Cross (Hymn for Cross and Community) 2005 Kristyn Getty: New Irish Hymns 4 In Christ Alone Lyrics, Story: Better Is One Day with Jesus Based on Luke 10:38-42: 2005 Kristyn Getty: Songs That ...
"Glory to His Name" (also called "Down At The Cross") is a hymn written by Elisha A. Hoffman in 1878. It is thought that Hoffman was reading about the crucifixion of Jesus in the Bible and began to think about how God saved men from their sins by allowing Jesus to die on the cross. The poem Hoffman wrote based on these thoughts was called ...
The House of the Mind for SATB & Organ (1954) A Christmas Carol − So now is come our Joyful'st Feast − Unison song for voices and piano (1958) A Hymn for St. Cecilia for SATB & Organ (1960) Coventry Antiphon for SATB & Organ (1961) A Sequence for St. Michael for SATB & Organ (1961)
The Hymn of Jesus, H. 140, Op. 37, is a sacred work by Gustav Holst scored for two choruses, semi-chorus, and full orchestra. It was written in 1917–1919 and first performed in 1920. It was written in 1917–1919 and first performed in 1920.
In Eastern Orthodox and Byzantine Catholic churches, an entrance is a procession during which the clergy enter into the sanctuary through the Holy Doors.The origin of these entrances goes back to the early church, when the liturgical books and sacred vessels were kept in special storage rooms for safe keeping and the procession was necessary to bring these objects into the church when needed.
The hymn's meter is essentially anapaestic, though there are some irregularities. [ 7 ] The Oxyrhynchus hymn is the only surviving fragment of notated Christian Greek music from the first four hundred years of the Christian period, [ 8 ] although historian and musician Kenneth Levy has argued that the Sanctus melody best preserved in the ...