Search results
Results from the WOW.Com Content Network
In 1998, LACE inaugurated Contemporary Editions LA, a fine-art publishing venture featuring Los Angeles-based artists, with editions in its first year by Paul McCarthy, Martin Kersels, and Sharon Lockhart. The following year, space published three new editions by artists Kevin Appel, Evan Holloway, and James Welling.
Following on from these exhibitions Sinnott's work was acquired by major collections including the Metropolitan Museum of Art, New York, the Arts Council of Great Britain, the Royal College of Art, London and the British Museum, as well as, private and corporate collections worldwide.
MOCA's permanent collection exhibitions show how, when the museum was founded in the late 1970s, it represented something wholly new: the beginning of L.A. art's full-scale institutionalization.
The MOCA Downtown Los Angeles location is home to almost 5,000 artworks created since 1940, including masterpieces by classic contemporary artists, and inspiring new works by emerging and mid-career artists from Southern California and around the world. The MOCA is the only museum in Los Angeles devoted exclusively to contemporary art.
The existing Mohn Collection includes works by more than 125 Los Angeles-based artists, including many who have appeared in one of the six editions of Made in L.A. to date, such as Aria Dean, rafa ...
The gallery exhibits mid-career and established artists of international recognition and has prominently exhibited seminal installations and international projects of artists thereafter included in important exhibitions at the Museum of Contemporary Art, Los Angeles and the Pasadena Museum of California Art.
1993 National Museum of Modern and Contemporary Art, Seoul, Korea [25] 1993 Museo Statale d'Arte Medioevale e Moderna, Arezzo, Italy; 1993 Makuhari Messe, Tokyo; 1993 The Drawing Center, New York; 1993 Aspen Art Museum, Aspen [26] 1992 The School of the Art Institute of Chicago [27] 1991 MoMA PS1 [28] [29] 1991 Pence Gallery, Los Angeles [30]
In 1975, Jeff Perone wrote in Artforum magazine about Linden's work in "Both Kinds: Contemporary Art in L.A.": "... Precious objects are precious objects and my personal preferences from Diebenkorn 1945, to Linden 1975 means the same thing; the works resemble each other closely, only Linden's a little more loose in technique and tighter in concept.