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Sita Devi (1914–2005) was an Indian artist, specializing in painting in the Madhubani tradition. She is one of the most well-known Madhubani artists from India, and was one of the first to receive national recognition for the art form, receiving a number of awards for her work including the Padma Shri (one of India's highest civilian honors) in 1981, as well as the Bihar Ratna Samman in 1984.
Mahasundari Devi (15 April 1922 – 4 July 2013) was an Indian artist and Madhubani painter. [3] She was awarded the Tulsi Samman by the Government of Madhya Pradesh in 1995, and in 2011 she received the Padma Shri award from the Government of India .
Madhubani art (also known as Mithila art) is a style of painting practiced in the Mithila region of India and Nepal. It is named after the Madhubani district of Bihar, India, which is where it originated. [1] Jitwarpur, Ranti and Rasidpur are the three most notable cities associated with the tradition and evolution of Madhubani art. [1]
Karpoori Devi (1929–30 July 2019) [1] was an Indian folk artist, known for painting in the Madhubani art tradition and creating textile art in the Sujni tradition. who achieved both critical and commercial success by selling Madhubani art.
Christ with the Eucharist and Saints Bartholomew and Roch; Christ with the Eucharist and Saints Cosmas and Damian; Christ's Appearance to Mary Magdalene after the Resurrection; Christ's Entry Into Brussels in 1889; The Conversion of Saint Paul (Murillo) The Conversion of Mary Magdalene; The Conversion of Saint Paul (Rubens, Berlin)
The latest image is a stark contrast to how He is portrayed in paintings and pictures who appears leaner with long flowy hair. Earlier this year a picture re-emerged that showed what Jesus might ...
Ganga Devi (1928 – 21 January 1991) [1] was an Indian painter, [2] considered by many as one of the leading exponents of Madhubani painting tradition. [3] She is credited with popularizing the Madhubani painting outside India. [4]
For Italian artists of the period, therefore, the Nativity and thus the birth of Christ came to be merged with the 'period's own conception of itself as one of rebirth.' [36] The "Nativity" and "Adoration of the Magi" imagery during the Italian Renaissance was a testament to historical consciousness, in which ruins served as documents of the ...