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The Tolkien scholar Tom Shippey comments that "the themes of the Escape from Death, and the Escape from Deathlessness, are vital parts of Tolkien's entire mythology." [ 8 ] In a 1968 BBC television broadcast, Tolkien quoted French philosopher Simone de Beauvoir and described the inevitability of death as the "key-spring of The Lord of the Rings ".
Tuor Eladar and Idril Celebrindal are fictional characters from J. R. R. Tolkien's Middle-earth legendarium.They are the parents of Eärendil the Mariner and grandparents of Elrond Half-elven: through their progeny, they become the ancestors of the Númenóreans and of the King of the Reunited Kingdom Aragorn Elessar.
"Tolkien's legendarium" is defined narrowly in John D. Rateliff's The History of The Hobbit as the body of Tolkien's work consisting of: [T 6] The Book of Lost Tales [T 6] The Sketch of the Mythology and contemporary alliterative verses [T 6] The 1930 Quenta Noldorinwa and first Annals [T 6] The 1937 Quenta Silmarillion and later Annals [T 6]
J.R.R. Tolkien’s fantasy masterpiece spans three volumes, but don't stop there. Beyond The Lord of the Rings lies a whole world of mythmaking to explore.
Scholars and critics have identified many themes of The Lord of the Rings, a major fantasy novel by J. R. R. Tolkien, including a reversed quest, the struggle of good and evil, death and immortality, fate and free will, the danger of power, and various aspects of Christianity such as the presence of three Christ figures, for prophet, priest, and king, as well as elements such as hope and ...
The downfall of Númenor and the changing of the world: the island is drowned by Ilúvatar, and Elendil, Isildur and their people escape to Middle-earth. [1]In Tolkien's legendarium, the island of Númenor, in the great sea to the West of Middle-earth, was created at the start of the Second Age as a reward to the men who had fought against the fallen Vala Morgoth, the primary antagonist of the ...
The Tolkien scholar John Garth, writing in the New Statesman, notes that it took a century for The Tale of Beren and Lúthien, mirroring the tale of Second Lieutenant Tolkien watching Edith dancing in a woodland glade far from the "animal horror" of the trenches, to reach publication. Garth finds "much to relish", as the tale changes through ...
Scull and Hammond observe that Bilbo's Last Song is somewhat like Tennyson's Crossing the Bar (1889), a sixteen-line religious lyric (sharing some of Tolkien's poem's vocabulary) in which a sea voyage is a metaphor for a faithful death. [7] Other precursors of Tolkien's poem are the legend of the carrying of the wounded King Arthur to the ...