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This clarinet was very common in the instrument's earliest period but its use dwindled, and by the end of the 1920s it had become practically obsolete. From the time of Mozart, many composers began to prefer the mellower lower-pitched instruments, and the timbre of the C instrument may have been considered too bright. [90]
In its early development, the clarinet could not be tuned across the range of the instrument, so the chalumeau was still used for music in the lower range. Later developments in the key work allowed better intonation throughout the range of the clarinet, and the chalumeau register on the clarinet eventually rendered the chalumeau itself ...
The clarinet family is a woodwind instrument family of various sizes and types of clarinets, including the common soprano clarinet in B♭ and A, bass clarinet, and sopranino E♭ clarinet. Clarinets that aren't the standard B♭ or A clarinets are sometimes known as harmony clarinets.
Both modified a clarinet with the Boehm fingering system to sound like an Oehler (German) clarinet. Wurlitzer built a Boehm clarinet with less taper, which impaired the intonation, but compensated for this by shortening the lower joint by a few millimeters and offsetting the lower tone holes. He also fitted it with a German-style mouthpiece.
The invention of the alto clarinet has been attributed to Iwan Müller and to Heinrich Grenser, [2] and to both working together. [3] Müller was performing on an alto clarinet in F by 1809, one with sixteen keys at a time when soprano clarinets generally had no more than 10–12 keys; Müller's revolutionary thirteen-key soprano clarinet was developed soon after. [3]
The Boehm system for the clarinet is a system of clarinet keywork, developed between 1839 and 1843 by Hyacinthe Klosé and Auguste Buffet jeune.The name is somewhat deceptive; the system was inspired by Theobald Boehm's system for the flute, but necessarily differs from it, since the clarinet overblows at the twelfth rather than the flute's octave.
The Mannheim school played an important role in the development of the sonata form, which is generally the form of the classical symphony's first movement. In their orchestration practice, the clarinet appears both as part of the woodwind section and as a solo instrument. [3]
The modern clarinet did not exist before about 1700. There are, however, a number of concertos written for its antecedent, the chalumeau.. The discovery of six clarinet concertos by Johann Melchior Molter (1696–1765) — the first of which may date from 1743 [5] — and three concerti grossi for clarinet and oboe written by Antonio Vivaldi (1678–1741) as far back as 1711 [6] have led music ...