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"Waiting for a Star to Fall" is a song by American pop music duo Boy Meets Girl in 1988, written by the duo's members, Shannon Rubicam and George Merrill. They wrote the song after witnessing a falling star at a Whitney Houston concert and originally offered the song to Houston, but Arista Records CEO Clive Davis rejected it.
Boy Meets Girl is an American pop-music duo consisting of keyboardist and vocalist George Merrill and singer Shannon Rubicam.They are perhaps best known for their hit song "Waiting for a Star to Fall" from 1988 and for writing two of Whitney Houston's number one hits: "How Will I Know" and "I Wanna Dance with Somebody (Who Loves Me)".
Boy Meets Girl is the debut album by American pop singer-songwriters George Merrill and Shannon Rubicam, also known as Boy Meets Girl. It was released on A&M Records in 1985, and was their only disc for the label. The album included the band's first top 40 hit on the Billboard pop chart, when "Oh Girl" peaked at No. 39.
The 1980s produced chart-topping hits in pop, hip-hop, rock, and R&B. Here's a list of the best songs from the time, ranging from Toto to Michael Jackson.
Shannon Rubicam is an American singer and songwriter whose songs have been recorded by Whitney Houston, Bette Midler, Dolly Parton and Smokey Robinson, among others.She co-wrote "How Will I Know" which was a hit for Whitney Houston in 1986, as well as Houston's 1987 hit "I Wanna Dance With Somebody (Who Loves Me)".
Reel Life is the second album by American pop singer-songwriting duo Boy Meets Girl, released in 1988 by RCA Records/BMG.The album features the duo's sole top ten hit as a recording act, "Waiting for a Star to Fall," as well as the minor follow-up hit, "Bring Down the Moon."
Stacker consulted Billboard, Time Out, and other expert music sources to determine 20 of the most iconic karaoke songs from the 1980s.
"Favourite Shirts (Boy Meets Girl)" was released in October 1981 on 7" and 12" formats. Writing in the October 1981 issue of Smash Hits, critic Fred Dellar described the single as doing "for jazz-funk what Dexy's once did for R&B". He described it as a "slight" song, although "the musicianship is both impeccable and exciting." [6]