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Visual arts of Chicago refers to paintings, prints, illustrations, textile art, sculpture, ceramics and other visual artworks produced in Chicago or by people with a connection to Chicago. Since World War II , Chicago visual art has had a strong individualistic streak, little influenced by outside fashions.
The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, image, filmmaking, design, crafts, and architecture. Many artistic disciplines, such as performing arts , conceptual art , and textile arts , also involve aspects of the visual arts, as well as arts of other types.
Wall of Respect was an example of the Black Arts Movement, an artistic school associated with the Black Power Movement. [6] The scholarly journal Science & Society underscored the significance of the Wall of Respect as "the first collective street mural", in the "important subject [of] the recently emerged street art movement."
Style refers to the visual appearance of a work of art that relates to other works with similar aesthetic roots, by the same artist, or from the same period, training, location, "school", art movement or archaeological culture: "The notion of style has long been historian's principal mode of classifying works of art".
Visual art of the United States or American art is visual art made in the United States or by U.S. artists. Before colonization, there were many flourishing traditions of Native American art , and where the Spanish colonized Spanish Colonial architecture and the accompanying styles in other media were quickly in place.
For example, the Tate Gallery's online art glossary states that collage "was first used as an artists' technique in the twentieth century". [7] According to the Guggenheim Museum 's online art glossary, collage is an artistic concept associated with the beginnings of modernism, and entails much more than the idea of gluing something onto ...
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Later, [when?] new techniques for transferring paper drawings to the wall were developed. The main lines of a drawing made on paper were pricked over with a point, the paper held against the wall, and a bag of soot (spolvero) banged on them to produce black dots along the lines. If the painting was to be done over an existing fresco, the ...