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He appears as a white orb hiding an enormous magenta excrescence, like an orchid or a lamprey-like mouth, with emerald tentacles, tipped with hands emerging from within the hideous mass. Eihort The Pale Beast, God of the Labyrinth: Appears as a huge, pallid, gelatinous oval with myriad legs and multiple eyes. Ei'lor The Star-Seed, The Plant-God
Eldritch Moon Silhouette of Emrakul Released July 22, 2016 Size 205 Cards Keywords Emerge, Escalate, Meld, Madness, Delirium, Skulk Development code Fears Expansion code EMN Second set in the Shadows over Innistrad block Shadows over Innistrad Eldritch Moon ← Shadows over Innistrad Kaladesh → ← Battle for Zendikar block Kaladesh block → Shadows over Innistrad is a Magic: The Gathering ...
Great Lord Monster Maga-Orochi (大魔王獣 マガオロチ, Dai Maō-jū Maga Orochi, 11, 12) is the main antagonist of Ultraman Orb, representing as Chapter 6 of Ultraman Orb Chronicle. Hailed from the Monster Galaxy (モンスター銀河, Monsutā Ginga), Maga-Orochi consumed various planets in its path. After landing on Earth, Orochi ...
Lovecraftian horror, also called cosmic horror [2] or eldritch horror, is a subgenre of horror, fantasy fiction and weird fiction that emphasizes the horror of the unknowable and incomprehensible [3] more than gore or other elements of shock. [4]
It was a terrible, indescribable thing vaster than any subway train—a shapeless congeries of protoplasmic bubbles, faintly self-luminous, and with myriads of temporary eyes forming and un-forming as pustules of greenish light all over the tunnel-filling front that bore down upon us, crushing the frantic penguins and slithering over the glistening floor that it and its kind had swept so ...
The 3.5 Edition D&D supplement Lords of Madness provides that the Illithid were a star-faring people who existed at the end of time. Facing annihilation, the Illithid traveled to the past, arriving roughly 2000 years before the present in any given D&D campaign.
Azathoth is a deity in the Cthulhu Mythos and Dream Cycle stories of writer H. P. Lovecraft and other authors. He is the supreme deity of the Cthulhu Mythos and the ruler of the Outer Gods, [1] and may also be seen as a symbol for primordial chaos, [2] therefore being the most powerful entity in the entirety of the Cthulhu Mythos.
Harl gives as an example the sequence in The Two Towers where Jackson's camera "like the Evil Eye of Sauron" travels towards Saruman's tower, Isengard and "zooms into the dangerous palantír", in her opinion giving the cinema viewer "an omniscient and privileged perspective" consisting of a Sauron-like power to observe the whole of Middle-earth.