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  2. Gesso - Wikipedia

    en.wikipedia.org/wiki/Gesso

    A restored gesso panel representing St. Martin of Tours, from St. Michael and All Angels Church, Lyndhurst, Hampshire. Gesso (Italian pronunciation:; 'chalk', from the Latin: gypsum, from Greek: γύψος), also known as "glue gesso" or "Italian gesso", [1] is a white paint mixture used to coat rigid surfaces such as wooden painting panels or masonite as a permanent absorbent primer substrate ...

  3. Paint - Wikipedia

    en.wikipedia.org/wiki/Paint

    After liquid paint is applied, there is an interval during which it can be blended with additional painted regions (at the "wet edge") called "open time". The open time of an oil or alkyd-based emulsion paint can be extended by adding white spirit, similar glycols such as Dowanol (propylene glycol ether) or open time prolongers. This can also ...

  4. Enamel paint - Wikipedia

    en.wikipedia.org/wiki/Enamel_paint

    Enamel paint is paint that air-dries to a hard, usually glossy, finish, used for coating surfaces that are outdoors or otherwise subject to hard wear or variations in temperature; it should not be confused with decorated objects in "painted enamel", where vitreous enamel is applied with brushes and fired in a kiln. The name is something of a ...

  5. Surfactants in paint - Wikipedia

    en.wikipedia.org/wiki/Surfactants_in_paint

    Paint has four major components: pigments, binders, solvents, and additives. Pigments serve to give paint its color, texture, toughness, as well as determining if a paint is opaque or not. Common white pigments include titanium dioxide and zinc oxide. Binders are the film forming component of a paint as it dries and affects the durability ...

  6. Encaustic painting - Wikipedia

    en.wikipedia.org/wiki/Encaustic_painting

    The wax encaustic painting technique was described by the Roman scholar Pliny the Elder in his Natural History from the 1st Century AD. [5] The oldest surviving encaustic panel paintings are the Romano-Egyptian Fayum mummy portraits from Egypt , around 100–300 AD, [ 6 ] but it was a very common technique in ancient Greek and Roman painting.

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