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The Ancient Greek infinitive is a non-finite verb form, sometimes called a verb mood, with no endings for person or number, but it is (unlike in Modern English) inflected for tense and voice (for a general introduction in the grammatical formation and the morphology of the Ancient Greek infinitive see here and for further information see these tables).
Another use of the article in Ancient Greek is with an infinitive, adjective, adverb, or a participle to make a noun, for example, τὸ ἀδικεῖν (tò adikeîn) "wrong-doing, doing wrong"; τὸ καλόν (tò kalón) "the beautiful, beauty"; τὰ γενόμενα (tà genómena) "the events, the things that happened"; οἱ ...
Ancient Greek verbs have four moods (indicative, imperative, subjunctive and optative), three voices (active, middle and passive), as well as three persons (first, second and third) and three numbers (singular, dual and plural).
"They ate their dinner." Such accusative and infinitive constructions are present in Latin and Ancient Greek, as well as many modern languages. The atypical case regarding the implicit subject of an infinitive is an example of exceptional case-marking. As shown in the above examples, the object of the transitive verb "want" and the preposition ...
Sē here is an accusative reflexive pronoun referring back to the subject of the main verb i.e. Iūlia ; esse is the infinitive "to be." Note that the tense of the infinitive, translated into English, is relative to the tense of the main verb. Present infinitives, also called contemporaneous infinitives, occur at the time of the main verb.
In Ancient Greek, for example, the perfect carried the meaning of a state resulting from a past action, but the PIE stative referred to the state alone. Likewise, the aorist, though having a tense-like meaning in Ancient Greek, had none in PIE. Perfective and stative verbs were effectively tenseless, or indifferent to time.
The phrase originates from the way deity figures appeared in ancient Greek theaters, held high up by a machine, to solve a problem in the plot. "Ἀπὸ τοῦ ἡλίου μετάστηθι" — Diogenes the Cynic — in a 1763 painting by Jacques Gamelin Ἀπὸ τοῦ ἡλίου μετάστηθι. Apò toû hēlíou metástēthi.
Latin deponent verbs can belong to any conjugation. Their form (except in the present and future participle) is that of a passive verb, but the meaning is active. Usually a deponent verb has no corresponding active form, although there are a few, such as vertō 'I turn (transitive)' and vertor 'I turn (intransitive)' which have both active and deponent forms.