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The term imbecile was once used by psychiatrists to denote a category of people with moderate to severe intellectual disability, as well as a type of criminal. [ 1 ] [ 2 ] The word arises from the Latin word imbecillus , meaning weak, or weak-minded. [ 3 ]
Literary critic Fredric Jameson offers photorealism as an example of artistic simulacrum, in which a painting is created by copying a photograph that is itself a copy of the real thing. [3] Other art forms that play with simulacra include trompe-l'œil , [ 4 ] pop art , Italian neorealism , and French New Wave .
A cliché (UK: / ˈ k l iː ʃ eɪ / or US: / k l iː ˈ ʃ eɪ /; French:) is a saying, idea, or element of an artistic work that has become overused to the point of losing its original meaning, novelty, or figurative or artistic power, even to the point of now being bland or uninteresting. [1]
Appropriation, similar to found object art is "as an artistic strategy, the intentional borrowing, copying, and alteration of preexisting images, objects, and ideas". [2] It has also been defined as "the taking over, into a work of art, of a real object or even an existing work of art."
Illustration by Jessie Willcox Smith (1863–1935). An illustration is a decoration, interpretation, or visual explanation of a text, concept, or process, [1] designed for integration in print and digitally published media, such as posters, flyers, magazines, books, teaching materials, animations, video games and films.
Depending on the application and intent, some photograph manipulations are considered an art form because they involve creation of unique images and in some instances, signature expressions of art by photographic artists. For example, Ansel Adams used darkroom exposure techniques to darken and lighten photographs.
In modern art-historical usage, the term tronie is typically restricted to figures not intended to depict an identifiable person, so it is a form of genre painting in a portrait format. Typically a painted head or bust only, concentrating on the facial expression, but often half-length when featured in an exotic costume, tronies might be based ...
For example, art work can exploit both the richness and the limits of the audience's experience; a novelist, in disguising a roman à clef, counts on the typical reader's lack of personal experience with the actual individual people portrayed. Then the reader refers the signs and interpretants in a general way to an object or objects of the ...