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Polka de W.R. is in A-flat major and in 2/4 time. The piece starts with semi-quavers in the right-hand and a melody in the left. After four bars, this then progresses to a melody with a quaver followed by triplet semi-quavers underneath. Meanwhile, the left-hand plays a typical polka oom-cha rhythm with firstly a bass note and then a chord ...
The Polka Italienne (Italian Polka) is a piano work for two pianos by Sergei Rachmaninoff. [1] It was composed in 1906. The piece begins in the key of E-flat minor then changes to E-flat major during the middle section.
Fragments, Four Improvisations, Oriental Sketch, Piano Piece in D minor, 2 Preludes: Free scores at the International Music Score Library Project. (in Russian) Piano.ru - Sheet music download (in Russian) Chubrik.ru - Audio download
Mezzacapo Quartet. Eduardo Mezzacapo (center). Eduardo Mezzacapo (1832–1898) was an Italian mandolinist, recognized as a virtuoso.He was also a composer, and a performer, organizing and playing in a mandolin quartet in France.
Despite its name, Kleines Requiem für eine Polka does not follow the traditional polka conventions. The work begins with a bell and piano section with pedal and resonance effects, meant to evoke a mysterious and obsessive atmosphere. The music alternates between dramatic and lyrical passages, with enigmatic chords, timbre games, and sound ...
Mary E. Walsh (prior 1864–?) was an American composer. She is best known for "Black Hawk Waltz," [1] which was popular in the 19th and 20th centuries, and the hymn "Bring Flowers Of The Fairest". [2]
Upon completing the set in 1915, Stravinsky made a first transcription of the Polka for cimbalom and for cimbalom and a small ensemble. Later that year, he also arranged the March for twelve instruments and the Waltz for seven instruments. However, only the solo cimbalom version of the Polka was selected for publication.
The Mephisto Polka (S. 217) is a piece of program music written in folk-dance style for solo piano by Franz Liszt in 1882–83. The work's program is the same as that of the same composer's four Mephisto Waltzes, written respectively in 1859–60, 1880–81, 1882 and 1885 and based on the legend of Faust, not by Goethe but by Nikolaus Lenau (1802–50).
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