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The band was formed under the name Locrian in December 2002 by the front man/guitarist David DiSanto, and a year later they released their first demo, "Nucleus". After reforming the band in 2004 under the name Vektor, they became popular in the Phoenix metal scene, with a musical style that mixes technical thrash metal and speed metal with ...
Terminal Redux is the third album by the American thrash metal band Vektor, released on May 6, 2016.It is the band's first album released on Earache Records. [1] The album is a concept album, which tells a sci-fi story about an astronaut finding the key to immortality and using it to gain vast political and financial power, but eventually experiencing an existential crisis as a result. [2]
Outer Isolation is the second full-length album recorded by the band Vektor. It was released in 2011 on Heavy Artillery Records, and Earache Records reissued the album in 2012. [1] The final tracks of the album, "Fast Paced Society" and the title track, feature radio emissions of Saturn detected by Cassini.
Demolition is the first full-length demo recorded by the thrash metal band Vektor. Although a self-released demo, it is occasionally regarded as the band's first full-length album, due to its 48-minute length.
Black Future is the first full-length album recorded by technical thrash metal band Vektor, released in 2009 on Heavy Artillery records with a special edition double vinyl LP release in 2010. Earache Records reissued the album in 2013. [2]
Vector was an American rock band formed in Sacramento, California, in the early 1980s by Jimmy Abegg and Steve Griffith. [2] The band had several drummers over the years, including Aaron Smith and Bruce Spencer, both of whom also played drums for the 77s.
It should only contain pages that are Vektor (band) albums or lists of Vektor (band) albums, as well as subcategories containing those things (themselves set categories). Topics about Vektor (band) albums in general should be placed in relevant topic categories .
It emerged partially as a reaction to the more conventional and widely acceptable glam metal, a less aggressive, pop music-infused heavy metal subgenre which appeared simultaneously. [3] Four American bands, Anthrax, Megadeth, Metallica, and Slayer, are credited with popularizing the genre, earning them the title of the "Big Four of Thrash".