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Descendants 3 was released on August 2, 2019, along with the parent film, and featured 13 tracks, with much of the songs are written originally for the film. Also included in the album are: "Dig a Little Deeper" from the 2009 film The Princess and the Frog, two songs from the first film's soundtrack, "Did I Mention" and a remixed version of "Rotten to the Core".
Descendants 3 (Original TV Movie Soundtrack) is the soundtrack accompanying the film of the same name. The soundtrack and lead single, "Good to Be Bad", was released on May 31, 2019, along with the pre-order of the soundtrack. The soundtrack was released on August 2, 2019.
It was not until director/choreographer Kenny Ortega came on board that songs were added. [3] The film itself contains seven musical numbers, plus a song by Shawn Mendes during the end credits, which was released as a single. In addition, the soundtrack album includes four bonus tracks as well as a suite of the David Lawrence's orchestral score.
Descendants: The Rise of Red is a soundtrack album by the cast of the film of the same name, released on July 12, 2024, by Walt Disney Records. The soundtrack was announced on April 26, 2024, with the release of the lead single, "What's My Name (Red Version)." [2] Another single, "Red," was released on June 21, 2024. [3]
In honor of the movie's 15th anniversary, here's a ranking of all the songs in the film. (For "High School Musical" and "High School Musical 2" song rankings, check out our previous coverage .) 11.
"Queen of Mean" is a song by Sarah Jeffery in her role of Princess Audrey from the Descendants 3 film and its soundtrack. [1] The song was released on August 2, 2019, along with the album. The song has reached No. 49 on the Billboard Hot 100 chart. [2] The song has also peaked at No. 57 on the Canadian Hot 100, [3] and No. 89 on the UK Singles ...
On Friday, Taylor Swift released "Carolina" for the upcoming film "Where the Crawdads Sing." It's her eighth original song written for visual media.
“Virgo’s Groove,” the longest song on the album, owes its carnal sonic escapism to Beyoncé’s expert vocal production; she deftly moves throughout her range across the song.