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César Augusto Martínez (born 1944 in Laredo, Texas) is an artist, prominent in the field of Chicano art. While studying at what was then called Texas A&I College (later Texas A&I University), he became involved in the Chicano movement for civil rights.
Much of the art and the artists creating Chicano Art were heavily influenced by Chicano Movement (El Movimiento) which began in the 1960s. Chicano art was influenced by post- Mexican Revolution ideologies, pre-Columbian art, European painting techniques and Mexican-American social, political and cultural issues. [ 1 ]
Chicana art emerged as part of the Chicano Movement in the 1960s. It used art to express political and social resistance [1] through different art mediums. Chicana artists explore and interrogate traditional Mexican-American values and embody feminist themes through different mediums such as murals, painting, and photography.
Chicano mural in Clarion Alley Street art in San Francisco, California. A Chicano mural is an artistic expression done, most commonly, on walls or ceilings by Chicanos or Mexican-American artists. Chicano murals rose during the Chicano art movement, that began in the 1960, with the influence of Mexican muralism and the Mexican Revolution. [1]
Esquivel also spent a lengthy period as a wildlife artist between 1973 and 1991, when he withdrew from Chicano art due to its association with radicalism. [2] As a commercial artist, Esquivel worked primarily for City Public Service, San Antonio’s public utility company. By the time he retired in 1987, he was the supervisor of the art ...
He is considered one of the pioneers of San Diego's Chicano art movement. [3] [4] Ochoa was one of the original activists at Chicano Park [4] and a co-founder of Centro Cultural de la Raza in Balboa Park, both in San Diego. [4] [5] He helped establish the influential Border Art Workshop/Taller de Arte Fronteriza (BAW/TAF). [6]
Salvador Roberto Torres (born July 3, 1936) is a Chicano artist and muralist and an early exponent of the Chicano art movement. He was one of the creators of Chicano Park, and led the movement to create its freeway-pillar murals. [1] He was also a founder of the Centro Cultural de la Raza in San Diego, California.
The term Asco functions as a means of contextualizing and responding to the effects of the Vietnam War.This era, which art historian Arthur C. Danto has described as an era of revulsion, compelled young people to seek a new vocabulary for opposition through the growing importance of media, the impact of public mobilization, and new modes drawn from Happenings and spontaneous "be-ins". [4]