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The Water of Life Discourse between Jesus and the Samaritan Woman at the Well by Angelika Kauffmann, 17th–18th century. The Samaritan woman at the well is a figure from the Gospel of John. John 4:4–42 relates her conversation with Jesus at Jacob's Well near the city of Sychar.
Orthodox icon of Photina, the Samaritan woman, meeting Jesus by the well. The in-depth account about Jesus and the Samaritan Woman at the Well is highly significant for understanding Jesus in several relationships: Samaritans, women, and sinners. By talking openly with this woman, Jesus crossed a number of barriers which normally would have ...
Jesus Met the Woman at the Well" is a traditional gospel song. It relates the story of the meeting between Jesus and the Samaritan Woman , found in the Gospel of John at 4:4-26 . One of the earliest recordings, by The Pilgrim Travelers (1950), credits the song as "Traditional, arranged by J. W. Alexander ".
Christ and the Samaritan Woman at the Well is a painting in oils on canvas of 1796 by Angelica Kauffman, depicting the eponymous Gospel passage.It was bought from the artist's estate in 1829 by Louis I of Bavaria and remained in the House of Wittelsbach until it was transferred to the Wittelsbacher Ausgleichsfonds in 1926; it then passed to the State of Bavaria in 1938.
Gilbert Bilezikian, in his book Beyond Sex Roles—What the Bible Says About a Woman's Place in Church and Family, [159] argues that the New Testament contains evidence of women apostles, [160] prophets, [161] teachers, [162] deacons, [163] and administrators. [164]
A spring is the "eye of the landscape", the natural burst of living water, flowing all year or drying up at certain seasons. In contrast to the "troubled waters" of wells and rivers (Jer. 2:18), there gushes forth from it "living water", to which Jesus compared the grace of the Holy Spirit (John 4:10; 7:38; compare Isaiah 12:3; 44:3).
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
This agrees with verse 16 which states, that the woman "Satan had kept bound for eighteen long years." In the same manner the devil afflicted Job with various diseases (Job 2, see also Ps. 78:49 [2]). He further writes that, "the devil, therefore, made this woman crooked and bent, to compel her always to look down upon the earth." [3]
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