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The verse could also just mean flowers in general, rather than a specific variety. "In the field" implies that these are the wildflowers growing in the fields, rather than the cultivated ones growing in gardens. Harrington notes that some have read this verse as originally referring to beasts rather than flowers. [6]
The Water of Life Discourse between Jesus and the Samaritan Woman at the Well by Angelika Kauffmann, 17th–18th century. The Samaritan woman at the well is a figure from the Gospel of John. John 4:4–42 relates her conversation with Jesus at Jacob's Well near the city of Sychar.
Jesus Met the Woman at the Well" is a traditional gospel song. It relates the story of the meeting between Jesus and the Samaritan Woman , found in the Gospel of John at 4:4-26 . One of the earliest recordings, by The Pilgrim Travelers (1950), credits the song as "Traditional, arranged by J. W. Alexander ".
Cicely Mary Barker was born in 1895 in Croydon, England. [2] She suffered from epilepsy as a child and remained physically delicate for most of her life. She was unable to go to school, so she was educated at home and spent much of her time on her own, reading and drawing.
Christ and the Samaritan Woman at the Well is a painting in oils on canvas of 1796 by Angelica Kauffman, depicting the eponymous Gospel passage.It was bought from the artist's estate in 1829 by Louis I of Bavaria and remained in the House of Wittelsbach until it was transferred to the Wittelsbacher Ausgleichsfonds in 1926; it then passed to the State of Bavaria in 1938.
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
Christ and the Samaritan Woman (1593-1594) Christ and the Samaritan Woman or The Woman at the Well is a 1593-1594 oil on canvas painting by Annibale Carracci, painted as part of the same scheme as the Palazzo Sampieri frescoes. Several years later he also produced a much smaller autograph copy with variations, now in the Museum of Fine Arts ...
A spring is the "eye of the landscape", the natural burst of living water, flowing all year or drying up at certain seasons. In contrast to the "troubled waters" of wells and rivers (Jer. 2:18), there gushes forth from it "living water", to which Jesus compared the grace of the Holy Spirit (John 4:10; 7:38; compare Isaiah 12:3; 44:3).
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