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[a] In Catholic tradition, older editions of the Roman Martyrology list a martyr named Photina of Samaria on March 20, whom commentators have identified with the woman at the well. [18] [19] In Eastern Christian tradition, the woman's name at the time of her meeting Jesus is unknown, though she was later baptized "Photine".
Jesus Met the Woman at the Well" is a traditional gospel song. It relates the story of the meeting between Jesus and the Samaritan Woman , found in the Gospel of John at 4:4-26 . One of the earliest recordings, by The Pilgrim Travelers (1950), credits the song as "Traditional, arranged by J. W. Alexander ".
Christ and the Samaritan Woman at the Well is a painting in oils on canvas of 1796 by Angelica Kauffman, depicting the eponymous Gospel passage.It was bought from the artist's estate in 1829 by Louis I of Bavaria and remained in the House of Wittelsbach until it was transferred to the Wittelsbacher Ausgleichsfonds in 1926; it then passed to the State of Bavaria in 1938.
The liturgical year, also called the church year, Christian year, ecclesiastical calendar, or kalendar, [1] [2] consists of the cycle of liturgical days and seasons that determines when feast days, including celebrations of saints, are to be observed, and which portions of scripture are to be read.
Gilbert Bilezikian, in his book Beyond Sex Roles—What the Bible Says About a Woman's Place in Church and Family, [159] argues that the New Testament contains evidence of women apostles, [160] prophets, [161] teachers, [162] deacons, [163] and administrators. [164]
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
Christ and the Samaritan Woman (1593-1594) Christ and the Samaritan Woman or The Woman at the Well is a 1593-1594 oil on canvas painting by Annibale Carracci, painted as part of the same scheme as the Palazzo Sampieri frescoes. Several years later he also produced a much smaller autograph copy with variations, now in the Museum of Fine Arts ...
This agrees with verse 16 which states, that the woman "Satan had kept bound for eighteen long years." In the same manner the devil afflicted Job with various diseases (Job 2, see also Ps. 78:49 [2]). He further writes that, "the devil, therefore, made this woman crooked and bent, to compel her always to look down upon the earth." [3]
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