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Thinner tapes with thicknesses of 18 μm, fitting 3,600 feet (1,100 m) on a seven-inch reel and 1,800 feet (550 m) on a five-inch reel were known as triple-play tapes. [1] Triple-play tape was too fragile for many tape decks to safely rewind even on a seven-inch reel, and was more commonly used on five-inch- and smaller reels.
The Nakamichi Dragon is an audio cassette deck that was introduced by Nakamichi in 1982 and marketed until 1994. The Dragon was the first Nakamichi model with bidirectional [a] replay capability and the world's first production tape recorder with an automatic azimuth correction system; this feature, which was invented by Philips engineers and improved by Niro Nakamichi, continuously adjusts ...
Remanence of audio tapes, referred to quarter-inch tape width, varies from around 1100 G for basic ferric tapes to 3500 G for Type IV tapes; [5] advertised remanence of the 1986 JVC Type IV cassette reached 4800 G. [6] Coercivity is a measure of the external magnetic flux required to magnetize the tape, and an indicator of the necessary bias level.
A cassette deck is a type of tape machine for playing and recording audio cassettes that does not have a built-in power amplifier or speakers, and serves primarily as a transport. It can be a part of an automotive entertainment system, a part of a portable audio system or a part of a home component system .
A reel-to-reel tape recorder from Akai, c. 1978. An audio tape recorder, also known as a tape deck, tape player or tape machine or simply a tape recorder, is a sound recording and reproduction device that records and plays back sounds usually using magnetic tape for storage.
Around 1978, when metal bias (IEC TYPE IV) cassettes came into the market, Nakamichi produced some early metal tape capable decks such as the 580M. [3] The tape settings on these decks were EX (normal bias), SX (high bias), and ZX (metal bias). Around 1980, Nakamichi introduced the third generation of 1000 and 700 three-head decks. The 1000ZXL ...
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Studer AG, a privately owned Swiss manufacturer of professional audio equipment, began development of high fidelity cassette recorders in late 1970s. Willi Studer was reluctant to diversify into the highly competitive cassette deck market; for most of the decade, the company's experience in cassette technology was limited to reliable but low-fidelity classroom equipment.
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