Search results
Results from the WOW.Com Content Network
Her baskets were featured in many newspapers and she was viewed as a prodigy. [1] She began giving demonstrations in the State Indian Museum in Sacramento, where she refused to sell the baskets she made and instead gave them as gifts. [1] In the late 1970s she began teaching basket-weaving classes for both native and non-native students. [2]
Doering exhibited her baskets widely, including at such venues as the Southern Plains Indian Museum, Coulter Bay Indian Art Museum, Wheelwright Museum of the American Indian, Fred Jones Jr. Museum of Art, Oklahoma Historical Society, the Kennedy Center in Washington DC, and the Smithsonian Institution Folklife Festival. In 1982 and 1983, she ...
Gail Tremblay (December 15, 1945 – May 3, 2023 [2]) was an American writer and artist from Washington State. She is known for weaving baskets from film footage that depicts Native American people, such as Western movies and anthropological documentaries. She received a Washington State Governor's Arts and Heritage Award in 2001. [3]
A traditional art form of the Cahuilla people, basketry is not only a community, but a family tradition for Clarke. While his artworks do not utilize the same materials as seen in traditional basket making, he sees his creation process as similar to theirs: "Cahuilla basket makers go out and gather materials, and they put them together to produce something that is both functional and aesthetic.
Shan Goshorn (July 3, 1957 – December 1, 2018) was an Eastern Band Cherokee artist, who lived in Tulsa, Oklahoma.Her interdisciplinary artwork expresses human rights issues, especially those that affect Native American people today.
Julia Florence Parker (born February 1928) [1] is a Coast Miwok-Kashaya Pomo basket weaver.. Parker studied with some of the leading 20th century indigenous Californian basketweavers: Lucy Telles (Yosemite Miwok-Mono Lake Paiute); Mabel McKay, (Cache Creek Pomo-Patwin) and Elsie Allen (Cloverdale Pomo).
In the past, Western art historians have considered use of Western art media or exhibiting in international art arena as criteria for "modern" Native American art history. [47] Native American art history is a new and highly contested academic discipline, and these Eurocentric benchmarks are followed less and less today.
This piece is on display in the Native American art collection of the Casino Arizona. The curator there, Aleta Rinlero says of Antone's work: "She doesn't weave baskets, she weaves concepts." [4] Ancient Hohokam pottery designs also provide Antone with inspiration for basket designs, as have the flora and fauna of the Sonoran Desert. To achieve ...