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"Whatever Lola Wants" is a popular song, sometimes rendered as "Whatever Lola Wants, Lola Gets". The music and words were written by Richard Adler and Jerry Ross for the 1955 musical play Damn Yankees. The song is sung to Joe Hardy by Lola, the Devil's assistant, a part originated by Gwen Verdon, who reprised the role in the film.
At Mercury, she had her biggest chart success, with the top ten hits "Make Yourself Comfortable" and "Whatever Lola Wants." In 1959, Vaughan's single "Broken Hearted Melody" reached number seven on the Billboard pop chart and became an international success, becoming the biggest single of her career. [3]
Track #9 contains a sample of "Whatever Lola Wants" as performed by Sarah Vaughan; Track #10 contains elements from "Papa Don't Take No Mess" Track #11 contains samples from "Music" as performed by Marvin Gaye; Track #12 contains a sample of "I'm Gonna Wash That Man Right Outa My Hair"
She was the first to record the song s "Mr. Sandman," "If I Give My Heart to You," and "Dansero." Her recording of " Whatever Lola Wants " from Damn Yankees won national radio and jukebox play. Her manager while at MGM was Joan Javits (né Joan Ellen Javits; born 1931), who in 1953, co-wrote Santa Baby with Philip Springer (born 1926).
Sarah Vaughan is the debut 1950 LP album of Sarah Vaughan with George Treadwell and His All Stars, 10" Columbia Records CL 6133. The instrumentalists comprised Billy Taylor Sr. bass, clarinet Tony Scott, drums J.C. Heard, guitars Freddie Green and Mundell Lowe, piano Jimmy Jones, on tenor saxophone Budd Johnson, trombone Bennie Green, and trumpet Miles Davis. [1]
South London singer Lola Young's unflinchingly honest hit Messy has reached number one in the UK after a two-month climb, and she's been nominated for a Brit Award. Now she's made a breakthrough ...
Cross-over hits from the show were "Heart", recorded by Eddie Fisher, and "Whatever Lola Wants", by Sarah Vaughan. [1] The duo had authored the music and lyrics for three great Broadway successes in three years, and had seen over a half-dozen of their songs reach the US top ten, two of them peaking at No. 1.
Chappell Roan went from the “Pink Pony Club” to the country club on “Saturday Night Live,” surprising fans by going country in both look and sound for her second number of the show, the ...