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In January 2010, John Tennison summarized his research into the origins of boogie-woogie with the conclusion that Marshall, Texas is "the municipality whose boundaries are most likely to encompass or be closest to the point on the map which is the geographic center of gravity for all instances of Boogie Woogie performance between 1870 and 1880".
Boogie woogie developed from a piano style that developed in the rough barrelhouse bars in the Southern states, where a piano player performed for the hard-drinking patrons. The origin of the term boogie-woogie is unknown, according to Webster's Third New International Dictionary. The Oxford English Dictionary states that the word is a ...
"Boogie Woogie Bugle Boy" closely follows the template of "Beat Me Daddy, Eight to the Bar", which is about a famous syncopated piano player. However, in its earliest stages, "Boogie Woogie Bugler" (as it was then known) was originally conceived for Lou Costello, but reworked for the Andrews Sisters, while a separate song was composed for the ...
Boogie-woogie was pioneered by the Chicago-based Jimmy Yancey and the Boogie-Woogie Trio (Albert Ammons, Pete Johnson and Meade Lux Lewis). [88] Chicago boogie-woogie performers included Clarence "Pine Top" Smith and Earl Hines, who "linked the propulsive left-hand rhythms of the ragtime pianists with melodic figures similar to those of ...
On December 29, 1928, he recorded his influential "Pine Top's Boogie Woogie", one of the first "boogie woogie" style recordings to make a hit, and which cemented the name for the style. [5] It was also the first recording to have the phrase 'boogie woogie' in the song's title. [6] Smith talks over the recording, telling how to dance to the ...
Boogie (sometimes called post-disco [1] [2] [3] and electro-funk) [3] is a rhythm and blues genre of electronic dance music with close ties to the post-disco style, that first emerged in the United States during the late 1970s to mid-1980s.
This was "the first published boogie-woogie with a boogie bass line throughout," and "helped to inspire a generation of boogie-woogie pianists" such as Meade Lux Lewis and Albert Ammons. [2] The following year, he is widely credited with recording another of his compositions, "The Rocks", for Okeh Records , which contains the earliest recording ...
Starting in the 1920s, Boogie Woogie began to evolve into what would become rock and roll, with decided blues influences, from 1929's "Crazy About My Baby" with fundamental rock elements to 1938's "Roll 'Em Pete" by Big Joe Turner, which contained almost the complete formula. Teenagers from across the country began to identify with each other ...