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A review by Allmusic's Jason Birchmeier called it "a dizzying retrospective" by a band that made "a lasting, influential impression on the healthy '90s Nebraskan indie rock scene," and also noted that as the first -ismist release, the album "becomes even more noteworthy, functioning as the foundation for that label's healthy growth during the ...
At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score out of 68, based on 7 reviews. [2] AllMusic's Jason Birchmeier praised the album for its production complimenting Mystikal's frenetic delivery, saying that "he has recorded his second great album in a row."
At Metacritic, which assigns a weighted average rating out of 100 to reviews from mainstream publications, this release received an average score of 53 based on 7 reviews. [ 1 ] In a review for AllMusic , Jason Birchmeier wrote: " Communicate can be seen as the duo's best mix CD to date with its striking consistency at all levels, ranging from ...
AllMusic's Jason Birchmeier remarked that "Fear Factory were quite ahead of their time in 1992". The critic also noted the diversity of the genres featured in the recording, saying that "Soul of a New Machine was so groundbreaking because it [fused] together some of the best aspects of numerous metal subgenres", which "[resulted] in a unique sound".
Critic Jason Birchmeier, writing for AllMusic, designated the record as an "album pick" in Wright's discography and awarded it four stars out of five. [10] In a 2012 retrospective article for The Virginian-Pilot, critic Rashod Ollison wrote that "the production is thoroughly modern and holds up well a decade later". [9]
Birchmeier's review states that "it's difficult to envision a better-compiled Warner Brothers-era single-disc collection of Tritt's music." [ 2 ] Jolene Downs of About.com gave the album five stars and says that the album "showcases Tritt's incredible talents not only as a songwriter but as a very versatile vocalist."
The AllMusic review by Jason Birchmeier awarded the album 3 stars stating "As a rapper, Rodríguez has noticeably matured in the three years since Lujo Ibérico, sounding more confident and laid-back in her delivery and coming up with darker rhymes that are more streetwise and far more hardcore than last time. If anything, the critical acclaim ...
[3] AllMusic editor Jason Birchmeier complimented Master P for changing his Southern sound into a more pop rap direction with the samples he used for his songs saying, "Game Face isn't any more impressive than any of his past few albums since Ghetto D. However, it is a much more accessible album because of the pop approach."