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Alchemy was a series of practices that combined philosophical, magical, and chemical experimentation. One goal of European alchemists was to create what was known as the Philosopher’s Stone, a substance that when heated and combined with a non precious metal like copper or iron (known as the “base”) would turn into gold.
Little is known about Trismosin's life beyond the legendary tales of his journeys found in works attributed to him. These tales, according to historian of religion J. Peter Södergård, had little value other than providing an "aura of historicity" to the texts attributed to him. [1] The name Salomon Trismosin is also likely a pseudonym.
Petrification is associated with the legends of Medusa and the Svartálfar among others. In fairy tales, characters who fail in a quest may be turned to stone until they are rescued by the successful hero, as in the tales such as The Giant Who Had No Heart in His Body, The Water of Life and The Dancing Water, the Singing Apple, and the Speaking Bird, as well as many troll tales.
[1] [2] For many centuries, it was the most sought-after goal in alchemy. The philosopher's stone was the central symbol of the mystical terminology of alchemy, symbolizing perfection at its finest, divine illumination, and heavenly bliss. Efforts to discover the philosopher's stone were known as the Magnum Opus ("Great Work"). [3]
Lapis solaris (Bologna stone) – barium sulfide – 1603, Vincenzo Cascariolo. Lead fume – lead oxide, found in flues at lead smelters. Lime/quicklime (burnt lime)/calx viva/unslaked lime – calcium oxide, formed by calcining limestone; Slaked lime – calcium hydroxide. Ca(OH) 2; Marcasite – a mineral; iron disulfide.
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Alchemy has had a long-standing relationship with art, seen both in alchemical texts and in mainstream entertainment. Literary alchemy appears throughout the history of English literature from Shakespeare to modern Fantasy authors. Here, characters or plot structure follow an alchemical magnum opus.